Do you have a question about the Aphex Compellor 320A and is the answer not in the manual?
Channels | 2 |
---|---|
Input Impedance | 10 kΩ |
Maximum Input Level | +24 dBu |
Maximum Output Level | +24 dBu |
Inputs | XLR, TRS |
Outputs | XLR, TRS |
Frequency Response | 20 Hz to 20 kHz |
Noise | -90dBu |
Power Requirements | 100-240 VAC, 50/60 Hz |
Dimensions | 19" x 1.75" x 8.5" |
Defines the Compellor as a transparent audio level controller.
Explains what the Compellor does and its development background.
Instructions for unpacking and handling shipping damage.
Guidance on selecting the correct mains voltage and fuse.
Information on power cords, rack mounting, and ventilation.
Lists required tools, safety considerations, and panel security options.
Details on setting reference levels and connecting audio signals.
Technical details on connectors, impedance, and audio performance.
Lists key functions like leveling, compression, and threshold settings.
Details compression parameters, timing, and physical specifications.
Using the Compellor for consistent levels in recording and mixing.
Applying the Compellor to master tracks and in video post-production.
Using the Compellor for live concerts and broadcast applications.
Covers tape duplication, voice processing, and hard disk recording.
Describes the audio path and primary automatic gain control functions.
Explains leveling, compressor, DRC, DVG, and Silence Gate.
Covers process balance, drive, output controls, and metering displays.
Outlines warranty period, scope, and exclusions.
Provides instructions on returning the unit for repair.
Explains audio signal transmission lines and operating levels.
Addresses common ground loop problems and hum elimination.
Covers connector wiring conventions for audio cables.
Details standard wiring practices for audio connectors.
Discusses average vs. peak levels in analog and digital audio systems.
Addresses level discrepancies with codecs and studio-transmitter links.
Explains the confusion between peak and average audio measurements.
Compares PPM, VU, and dBFS metering and digital audio challenges.
Discusses Compellor's role in digital audio and level setup.