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Pitch Shifter: This effect transposes the input signals to create musically useful intervals and harmo-
nies or simply to widen the sound of a single voice. Heavy pitch shifting can also be used to produce a
Mickey Mouse type voice effect.
Delay & Reverb: Probably the most popular combination used for vocals, solo guitars, etc. The
program employs a Bright Room reverb which can be used for a great variety of applications.
Chorus & Reverb: This algorithm combines a popular chorus effect with a Reverb.
Flanger & Reverb: Flanger effect combined with a Reverb.
Radio Speaker: Simulates the typical sound of a portable radio: lots of midrange, poor bass and
treble.
Distortion: Absolutely modern effect for vocals or drum loops, combined with a Delay effect. Special
feature: this distortion algorithm also has an LFO-controlled notch filter included.
2.4.10Talkback facility: communicating with performers in the studio
Fig. 2.19: Talkback section
The built-in Talkback microphone enables you to communicate with the performers in the recording room, on
stage or via headphones. Use the buttons TALK TO AUX 1-2 to activate the microphone and access Aux
Sends 1 and 2. The volume of the talkback facility can be determined with the LEVEL control . To avoid
feedback in the monitors (e.g. when SOLO-ing Aux Buses 1 and 2), the level at the monitor output is reduced
by 20 dB, as long as you press the TALK TO AUX 1-2 button. Of course, the Main Mix bus remains unaffected
by these operations.
3. PRACTISE
3.1 Selecting inputs
1) Mono channels accept Mic or Line inputs. If you are using the Mic input, make sure nothing is connected
to the Line input (and vice versa).
2) Mic inputs are more sensitive than Line inputs. Do not connect microphones with Phantom Power switched
on.
3.2 Initializing channels for gain setting
1) Set gain to minimum in all Main input channels, and all Aux Sends to OFF (fully counterclockwise).
2) Set EQ to flat (all controls at 12 oclock) and turn it off (EQ IN button up).
3. PRACTISE
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