Behringer Eurorack UB1222FX-Pro - Rear View of UB1222 FX-PRO; FUSE HOLDER;IEC MAINS RECEPTACLE; POWER Switch; PHANTOM Power (+48 V)

12 EURORACK UB1222FX-PRO User Manual
2.5 Rear view of UB1222FX-PRO
Fig. 2.16: Voltage supply and fuse
FUSE HOLDER/IEC MAINS RECEPTACLE
The console is connected to the mains via the cable supplied, which meets the
required safety standards. Blown fuses must only be replaced by fuses of the
same type and rating. The mains connection is made via a cable with IEC mains
connector. An appropriate mains cable is supplied with the equipment.
POWER
Use the POWER switch to power up the mixing console. The POWER switch
should always be in the “O” position when you are about to connect your unit
to the mains.
To disconnect the unit from the mains, pull out the main cord plug.
Wheninstalling the product, ensure that the plug is easily accessible. If mounting
in a rack, ensure that the mains can be easily disconnected by a plug pull or by an
all-pole disconnect switch on or near the rack.
◊ Attention: The POWER switch does not fully disconnect the unit from
the mains. Unplug the power cord completely when the unit is not used
for prolonged periods of time.
PHANTOM
The PHANTOM switch activates the phantom power supply for the XLR
microphone inputs, which is required to operate condenser microphones.
Thered+48 V LED lights up when phantom power is on. As a rule,
dynamicmicrophones can still be used with phantom power switched on,
provided that they are wired in a balanced conguration. In case of doubt,
contact the microphonemanufacturer!
◊ Connect microphones before you switch on the phantom power
supply. Please do not connect microphones to the mixer (or the
stagebox/wallbox) while the phantom power supply is switched on.
In addition, the monitor/PA loudspeakers should be muted before you
activate the phantom power supply. After switching on, wait approx.
one minute to allow for system stabilization.
◊ Caution! You must never use unbalanced XLR connectors (PIN 1 and
3 connected) on the MIC input connectors if you want to use the
phantom power supply.
SERIAL NUMBER
Please note the important information on the serial number given in
chapter1.3.3.
3. Digital Eects Processor and XPQ
Surround Function
3.1 Digital eects processor
00 SMALL HALL
03 MID HALL
06 BIG HALL
09 CHURCH
10 SMALL ROOM
13 MID ROOM
16 BIG ROOM
19 C H A PEL
20 P L ATE
27 SPRING
30 GATED REV
36 REVERSE
40 EARLY REFL
44 AMBIENCE
48 STADIUM
49 AMBIENCE FX
50 DEL AY
59 ECHO
60 CHORUS
66 FLANGER
70 PHASER
74 PITCH SHIFT
80 CHORUS & REVERB
82 FLANGER & REVERB
84 PHASER & REVERB
86 PITCH & REVERB
88 DELAY & REVERB
90 DELAY & GATED
91 DELAY & REVERSE
92 DELAY & CHORUS
94 DELAY & FLANGER
96 DELAY & PHASER
98 DELAY & PITCH
24
–
BIT MULTI
–
FX PROCESSOR
Fig. 3.1: Eects presets overview
24-BIT MULTI-EFFECTS PROCESSOR
Here you can nd a list of all presets stored in the multi-eects processor.
This built-in eects module produces high-grade standard eects such as
reverb, chorus, anger, delay and various combination eects. The integrated
eects module has the advantage of requiring no wiring. This way, the danger
of creating ground loops or uneven signal levels is eliminated at the outset,
completely simplifying the handling.
These eect presets are designed to be added to dry signals. If you move the
FXTO MAIN control, you mix the channel signal (dry) and the eect signal.
This also goes for mixing eects signals with the monitor mix. The main
dierence is that the mix ratio is adjusted using the FX TO MON control. Of course,
a signal has to be fed into the eects processor via the FX control in the channel
strip for both applications.
◊ Turn down the FX controls in those channel strips whose signals you
don’t wish to process.
FOOT
SW
Fig. 3.2: Connection socket for the footswitch
FOOTSWITCH
Connect a standard footswitch to the footswitch connector; use this to switch the
eects processor on and o. A ashing dot at the bottom of the display indicates
if the eects processor is muted via the footswitch.
◊ In chapter 4.2, you will find an illustration showing how to connect
your footswitch correctly.
X PQ TO
MAIN
PROGRAM
(
PUSH
)
SURROUND
M
A
X
0
24–BIT A/D & D/A CONVERTER
24–BIT DUAL ENGINE DSP
LEVEL
Fig. 3.3: Digital eects module and XPQ surround function control elements
LEVEL
The LED level meter on the eects module should display a suciently high
level. Take care to ensure that the clip LED only lights up at peak levels. If it is
lit constantly, you are overloading the eects processor and this could cause
unpleasant distortion. The FX SEND fader determines the level that reaches the
eects module.