Implementation
Since historically the flange effect was created from full tracks, we recommend that you place
this pedal close to the end of your effect chain, right before your amp, or maybe a finishing
reverb (like the Talisman), if you have one. Some kind of distortion or overdrive preceding the
Zero Point will yield the best results. Generally, the wider the harmonic range of the signal going
into Zero Point, the more pronounced and dramatic the effect will be. "
Same consideration goes for the tone knob on your guitar, which usually works by rolling off
higher frequency content. Keeping your tone rolled off, and playing on your neck pickup will
result in a much more subtle effect. This also should inform your playing - full chords,
modulated echoes, sloppy and greasy riffs all take flange well. Putting the effect on single quiet
notes will probably not be as exciting, though. But by all means, experiment to see where the
Zero Point makes sense in your songs. It’s very likely that a gentle tape-y, rolling doubling of
simple notes is exactly what your part needs. "
Specifications
Input impedance: 200K"
Power supply: 9-18v center-negative DC"
Current draw: 65mA"
Dimensions: 2.34”x4.39”"
Weight: 12oz"
Operating conditions: the temperature,
atmospheric pressure, gravity and humidity
tolerances equal or exceed those of an average
human being."
By default, the Zero Point keeps both signals in phase. We call this additive mode. This is the
most easy to use setting out of the box. If you’re feeling adventurous, connect the power supply to
the pedal while holding down the momentary “flange” switch. Next time you turn on your pedal,
the LED will be red instead of green. Don’t panic: it means you’re in subtractive mode. One of
the “tape machines” is now out of phase with the other, and now the flange sweep will become
thinner and more wispy until it ultimately reaches complete cancellation.
To return the pedal to additive mode, disconnect and reconnect the power supply. You’ll notice
the LED now glows green.
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