3
2021 Cicada Audio All rights reserved.
OUTPUT CONFIGURATION
INPUT CONFIGURATION
CH1
(LEFT INPUT)
CH2
(RIGHT INPUT)
CH3/4
(LEFT/RIGHT INPUT)
CH5 (+/- INPUT)
CH6 (+/- INPUT)
CH7 (+/- INPUT)
CH8 (+/- INPUT)
CX250.2D
CX250.2D
CX150.4D
CH1+CH2+CH3+CH4+CH5+CH6+CH7+CH8+
CH1-CH2-CH3-CH4-CH5-CH6-CH7-CH8-
DSP88 CROSSING OVER TWEETERS
HIPASS AT 6kHz 12dB PER OCTAVE
2 CHANNEL AMPLIFIER
DRIVES FRONT MIDBASS
2 CHANNEL AMPLIFIER
DRIVES REAR MIDBASS
4 CHANNEL AMPLIFIER
DRIVES FRONT/REAR TWEETERS
DSP88 CROSSING OVER 6.5” MIDBASS DRIVERS
BANDPASS AT 70Hz - 6kHz 12dB PER OCTAVE
DSP88 CROSSING OVER 6.5” MIDBASS DRIVERS
BANDPASS AT 70Hz - 6kHz 12dB PER OCTAVE
SPEAKER INPUT
GAIN
12V 0.2V
GAIN
12V 0.2V
HPFLPF
FULL
FREQ
40Hz 400Hz
HPFLPF
FULL
CH3/4
CH1/2
GAIN
12V 0.2V
GAIN
12V 0.2V
HPFLPF
FULL
FREQ
40Hz 400Hz
HPFLPF
FULL
CH3/4
CH1/2
GAIN
12V 0.2V
GAIN
12V 0.2V
HPFLPF
FULL
FREQ
40Hz 400Hz
HPFLPF
FULL
CH3/4
CH1/2
INITIAL GAIN SETTINGS ON DSP88
(ALL CHANNELS -6dB)
INTITIAL MASTER GAIN
SETTING ON DSP88 (-6dB)
FRONT L/R
OUTPUT
REAR L/R
OUTPUT
* ON MOTORCYCLES THESE INPUTS
ARE TYPICALLY NEVER USED!!!