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General| Type | Analog |
|---|---|
| Synthesis | Subtractive |
| Filter Slope | 24dB/oct |
| LFO | 1 |
| Oscillators | 2 |
| Waveforms | Square, Pulse, Sawtooth |
| Filter | Low-pass |
| Modulation | LFO, Envelope |
| Memory | 64 patches |
| Connectivity | MIDI, Audio Outputs |
Details on connecting the BIT ONE to power and activating it.
Details on Play, Double, Split, Unison, Edit, and Tape modes.
How to select and play presets using the Lower programmer in Play mode.
Splits the keyboard to select programs for left and right sides.
How to activate split mode and set the split point on the keyboard.
Selecting Lower and Upper programs using selectors and numeric keyboard.
Playing two different programs simultaneously.
Recognizes key velocity for expressive sound control.
Potentiometer on the rear for general sensitivity of the dynamic range.
Overview of controls and the 'Multifunction Monocontrol' system.
Activates Edit Mode and inputs parameter address numbers.
Details on LFO 1 parameters: waveform, modulation targets, depth, rate.
Details on LFO 2 parameters: waveform, modulation targets, depth, rate.
Controls tonal quality by emphasizing/removing overtones.
Defines parameter changes over time: Attack, Decay, Sustain, Release.
Step-by-step guide for saving sounds to the instrument's memory.
How to save an edited sound to its original program number.
Using the memory protect switch to prevent writing to memory.
Protects sound memory from being written.
Mode for saving and loading sound data via tape.
Instructions for connecting a tape recorder for data transfer.
Step-by-step process for saving sound data onto cassette tape.
Warning about erasing existing data when loading from tape.
Ensuring sound memory has no desired data before loading.
How touch influences VCF depth for expressive effects.
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