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General| Low Frequency Control | 20 Hz - 200 Hz |
|---|---|
| Output Impedance | 50 Ω |
| Number of Channels | 2 |
| EQ Bands | 3 |
| Low Frequency | 20 Hz - 200 Hz |
| Input Connectors | XLR |
| Output Connectors | XLR |
| Frequency Bands | Low, Mid, High |
| Dimensions | 19" x 1.75" x 10" |
| Type | Stereo Equalizer |
| Power Supply | External PSU (included) |
| Maximum Boost/Cut | +/- 5 dB |
| THD | <0.002% |
Important safety hints for operating and maintaining the product, including grounding, heat, and liquid spills.
Introduction to the Dangerous Music Bax EQ, its design inspiration and sonic characteristics.
Details on Neutrik XLR inputs and outputs, wiring, and recommended cables for the Bax EQ.
Information on the IEC power cable, selectable voltage, fuse replacement, and power switch for the Bax EQ.
Details infrasonic rumble reduction, 12 dB/octave roll-off, and relay bypass benefits for clean audio paths.
Discusses broad bandwidth shelving EQ for sculpting tone, affecting octaves with minimal phase delay.
Covers discrete L/R controls for stereo imbalance correction in 0.5dB steps and stepped attenuators for accuracy.
Details discrete L/R controls for stereo high-frequency imbalance correction and stepped attenuators for precise settings.
Explains broad bandwidth shelving EQ for sculpting tone, with frequencies noted for audible band impact and phase delay.
Focuses on Ultrasonic Noise Reduction for A/D converters, preventing harsh or brittle sound from slew rate overload.
Describes the hardwire bypass ENGAGE SWITCH for true A/B comparisons, removing hardware from the circuit when bypassed.
Provides tips on combining controls for tighter low end, using the EQ for tracking, and gear chain integration.
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