E-Mu EMAX II - Preset Definition

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Emax II operation manual

113

1. COPY VOICE (s) 115

2. EDIT ASSIGNMENT 118

3. ERASE VOICE 120

4. STEREO VOICE 121

5. CROSSFADE 123

6. ARPEGGIATOR 126

7. MIDI 133

8. PITCH BEND RANGE 138

9. REALTIME CONTROLS 138

0. STACK PRESETS 144

PRESET DEFINITION

Main Page

Default Chapter6
- Table of Contents6
Introduction12
Emax II Basics20
- Sampling Basics22
- The Bank23
- Samples & Voices23
- Making a Preset24
- The Current Preset24
- The Current Voice24
- More about Voices25
- Other Definitions27
  - The Big Re-Cap28
Guided Tours30
- Guided Tour No. 1 - Meet the Emax II32
- Guided Tour No. 2 - Specifying the Current Voice36
- Guided Tour No. 3 - Dynamic Processing of a Voice38
- Guided Tour No. 4 - Realtime Control Programming42
- Guided Tour No. 5 - Basic Sampling44
- Guided Tour No. 6 - Digitally Processing Samples46
- Guided Tour No. 7 - Managing the Bank49
- Guided Tour No. 8 - the Sequencer49
- Guided Tour No. 9 - Make Your Own50
General Instructions52
- Selecting the Current Preset54
- Exiting a Function54
- Keyboard Numbering Protocol55
- Disk Handling55
Function Buttons58
- Transpose60
- Select Drive61
- Load Bank61
- Enter Data62
Master64
- Master Tune66
- Memory Remaining66
- Velocity Curve67
- Erase All67
MASTER (Continued)67
- Format Disk68
- Erase HD Bank70
- Bird Run71
- Backup/Restore71
- Special76
Sample82
- VU Mode/Gain84
- Place Sample85
- Sample Rate85
- Sample Length86
- Threshold87
- Arm Sampling87
- Force Sampling88
- Stop Sampling88
- Change Sample88
Digital Processing90
- Change Voice92
- Truncate93
- Loop95
- Release Loop99
- Loop Mode102
- Taper103
- Splice104
DIGITAL PROCESSING (Continued)104
- Combine106
- Crossfade Loop107
- Digital Effects109
Preset Management116
- Load Preset118
- Save Compressed119
- Create Preset120
- Erase Preset120
- Copy Preset121
- Rename Preset121
- Preset Size122
- Save All 16 Bit123
Preset Definition124
- Copy Voice126
  - Copy Voice(S)126
- Edit Assignment129
- Erase Voice131
- Stereo Voice132
- Crossfade134
- Arpeggiator137
- MIDI144
- Pitch Bend Range149
- Realtime Controls149
- Stack Presets155
Dynamic Processing158
- Filter Setup158
- Change Voice160
- Attenuation/Tuning/Delay162
- Vca Ahdsr162
- Filter AHDSR167
- LFO Setup168
- LFO to169
- Velocity to a170
- Velocity to B171
- Panning172
- Chorus173
DYNAMIC PROCESSING (Continued)173
- Keyboard Mode174
- Control Enable175
Sequencer176
- Play178
- Record178
- Stop178
- Select Sequence179
Sequencer Manage179
- Tempo179
- Clock Source180
- Load Sequence180
- Erase Sequence182
- Copy Sequence183
- Rename Sequence184
Sequencer Setup185
- Track Status185
- Track Preset185
- Auto Extend186
- Erase Track187
- Bounce Track187
- Supermode188
Advanced Applications192
The Art of Sampling194
- Part 1: Taking the Best Possible Sample194
- Session #1: Sampling from Tape197
- Session #2: Sampling Acoustic Instruments198
- Session #3: Sound Effects201
- Part 2: Manipulating the Sample203
- Part 3: Multi-Sampling206
Fix It in the MIX208
Multi-Timbral Operation212
Multi-Timbral Banks214
Spectrum Synthesis216
- Overview216
- Spectrums217
- Timeslice218
- Creating Sounds219
Spectrum Synthesis (Continued)219
- Interpolation220
- Frequency Spectrum221
- Time Slice222
- Amplitude Contour224
- Pitch Contour225
- Pitch/Ratios227
- Interpolate227
- Load Parameters228
- Save Parameters228
- Erase Parameters229
- Synthesize229
- Approaching Spectrum Synthesis230
- Spectrum Synthesis Experiments230
Digital Sound Transfer232
MIDI Supplement234
Appendix240
- Velocity Charts241
- Emax II Memory Expansion246
- Technical Specifications247
- MIDI Implementation Chart248
- Note-To-Frequency Conversion Chart249
- Index250
- Warranty254

E-Mu EMAX II - Preset Definition

Table of Contents

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