E-Mu SP-12 - Part 7: Mixing and Processing

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MIXING AND PROCESSING

Enhanced by The Emulator Archive 2002 www.emulatorarchive.com

PART 7: MIXING AND PROCESSING

7A MIXING AND PROCESSING: OVERVIEW

7B PSEUDO AUTOMATED MIXDOWN

7C CREATING AMBIENCE

7D USING SPECIAL EFFECTS IN THE STUDIO

Main Page

Owners Manual1
Table of Contents2
Introduction6
Enhanced by the Emulator Archive 2002 Www.emulatorarchive.com6
What Is It7
Ground Rules8
- Activating and De-Activating Modules8
- Accessing Functions Within the Module8
- What's a Default8
- Enhanced by the Emulator Archive 2002 Www.emulatorarchive.com8
Settings and Values9
- Entering9
- Leading Zeroes9
- Segment and Song Modes9
The Right Arrow/Left Arrow Buttons (Stepping and "Fast Forwarding")10
- The Current Song Display10
- The Current Segment Display10
The Transitory Nature of Segment Mode10
Beep Messages10
Part 1: Getting Ready11
Setup12
Instant Gratification13
Background: the Performance Module14
Selecting Drum Sounds14
Adjusting the MIX15
Tuning the Drums/Changing Decay (Set-Up 18)16
Background: Setting up Additional Sounds16
Accessing/Exiting Multilevel (Set-Up 12 & 13)17
Accessing/Exiting Multipitch (Set-Up 11 & 13)18
Accessing Dynamics (Set-Up 14)19
Storing (Defining) a MIX (Set-Up 15)19
Auditioning (Selecting) a MIX (Set-Up 16)20
Assigning Drum Sounds to Output Channels20
Playing Back Segments21
Setting Tempo22
Programming the Metronome23
Part 2: Recording Segments24
Erasing a Segment26
Dimensioning" a Segment26
- Part 1: Standard Dimensioning27
- Part 2: Real-Time Dimensioning28
Understanding Auto Correct29
Setting Auto Correct31
Recording a Segment in Real Time31
Recording a Segment in Step Time33
Erasing a Specific Drum Sound34
Erasing a Specific Note of a Drum Track34
Copying and Appending Segments35
Adding Swing36
Swapping Drum Sounds37
Copying Sounds37
Clearing the Memory38
Check Remaining Memory38
Part 3: Creating a Song39
Creating a Song: Overview40
Selecting a Song41
Chaining Segments Together42
Ending a Song43
Editing Songs (Stepping, Inserting, Deleting)44
Using Repeats45
Changing the Song Drum Sound MIX47
Setting Song Tempo48
Programming Tempo Changes Within a Song49
Jumping to a Sub-Song50
Programming Trigger Outputs50
Starting at a Specified Point in the Song51
Efficient Use of Memory52
Part 4: Sampling Your Own Sounds53
Sampling: an Overview54
Setting Levels Prior to Sampling55
Assigning the Sample56
Setting the Sampling Threshold56
Setting the Sample Length57
Initiating and Stopping Sampling57
Deleting a User Sound58
Modifying a Sample Via Truncation and Loop59
Part 5: Saving Your Data62
Background: Saving Data63
General Care & Handling of Disks & Cassettes63
- Labeling64
- Write-Protecting Disks and Cassettes64
- Saving Your Data65
Hooking up the 1541 Disk Drive or Cassette66
Formatting Disks (Cassette/Disk 0)67
Disk and Cassette Operations68
Part 6: MIDI, Sync, & Smpte70
MIDI Channel and Mode Select71
Internal Sync (Sync 1)73
MIDI Sync (Sync 2)73
Background: Synchronization73
Smpte Sync (Sync 3)74
Click Sync (Sync 4)75
Writing Smpte Time Code on Tape76
Writing a 24 Ppqn Click Sync Track on Tape77
Part 7: Mixing and Processing78
Mixing and Processing: Overview79
Pseudo Automated Mixdown79
Creating Ambience79
Using Special Effects in the Studio80
Appendix81
Appendix A: the Art of Sampling82
- Part 1: Taking the Best Possible Sample82
- Part 2: Manipulating the Sample86
Appendix C: Understanding Time Signatures89
Appendix D: Understanding MIDI/Smpte90
- What Does the MIDI Cable Do90
- What Does MIDI Stand for90
- How Can Information Control a Synthesizer or Drum Machine90
- How Does MIDI Differentiate between Different Instruments91
- Channels, Huh? Sounds Like a Lot of Patch Cords to Me91
- What Kind of Words Does the MIDI Language Include91
- Dealing with "Mldlosyncracies92
- Smpte92
Appendix E: Tips on Creating Realistic Drum Parts93
Appendix F: Tips on Using Cassette Interfaces94
Appendix G: How the Sp-12 Works96
Appendix H: Special Functions (Set-Up #23)97

E-Mu SP-12 - Part 7: Mixing and Processing

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