Insert Effect Parameters
ENSONIQ ASR-X Pro UserÕs Guide 27
II
II
nn
nn
ss
ss
ee
ee
rr
rr
tt
tt
EE
EE
ff
ff
ff
ff
ee
ee
cc
cc
tt
tt
PP
PP
aa
aa
rr
rr
aa
aa
mm
mm
ee
ee
tt
tt
ee
ee
rr
rr
ss
ss
The following pages list all of the ASR-X ProÕs Insert effects and their parameters. To learn how to select
and edit Insert effects, see Chapter 4 of the ASR-X Pro Reference Manual.
00
00
11
11
PP
PP
aa
aa
rr
rr
aa
aa
mm
mm
ee
ee
tt
tt
rr
rr
ii
ii
cc
cc
EE
EE
QQ
QQ
The Parametric EQ insert effect offers a minimum phase, four-band parametric EQ.
PP
PP
aa
aa
rr
rr
aa
aa
mm
mm
ee
ee
tt
tt
ee
ee
rr
rr
RR
RR
aa
aa
nn
nn
gg
gg
ee
ee
DD
DD
ee
ee
ss
ss
cc
cc
rr
rr
ii
ii
pp
pp
tt
tt
ii
ii
oo
oo
nn
nn
EQ Input Off, -49.5dB to +24dB Adjusts the input level trim to the EQs to eliminate the
possibility of clipping boosted signals.
LoShelf Fc 10Hz to 20.0kHz Sets the center of the low frequency EQ.
LoShelf Gain Off, -49.5dB to +24dB Sets the amount of boost or cut applied to this low
frequency shelf.
Mid 1 Fc 10Hz to 20.0kHz Sets the center of the mid frequency parametric.
Mid 1 Q 1.0 to 40.0 Bandwidth control that determines the width of the
resonant peak at the center frequency band. This
parameter is equal to the cutoff frequency divided by
the bandwidth. By raising the value, you can produce a
narrower bandwidth.
Mid 1 Gain Off, -49.5dB to +24dB Sets the amount of boost or cut applied to this mid
frequency parametric.
Mid 2 Fc 10Hz to 20.0kHz Identical to the Mid 1 Fc parameter, and is used to
control different bandwidths within the mid range.
Mid 2 Q 1.0 to 40.0 Identical to the Mid 1 Q parameter, and is used to
control different bandwidths within the mid range.
Mid 2 Gain Off, -49.5dB to +24dB Identical to the Mid 1 Gain parameter, used to control
different bandwidths within the mid range.
HiShelf Fc 10Hz to 20.0kHz Sets the center frequency of the high frequency shelf.
HiShelf Gain Off, -49.5dB to +24dB Sets the amount of boost or cut applied to this high
frequency shelf.
EQ Output Off, -49.5dB to +24dB Controls the gain coming out of the parametric EQ.
00
00
22
22
HH
HH
aa
aa
ll
ll
ll
ll
RR
RR
ee
ee
vv
vv
ee
ee
rr
rr
bb
bb
00
00
33
33
LL
LL
aa
aa
rr
rr
gg
gg
ee
ee
RR
RR
oo
oo
oo
oo
mm
mm
00
00
44
44
SS
SS
mm
mm
aa
aa
ll
ll
ll
ll
RR
RR
oo
oo
oo
oo
mm
mm
Hall Reverb is a large acoustic space, and provides a high density reverb. Large Room reverb provides
ambience, and Small Room reverb simulates the ambience and shorter decay times of a small space.
PP
PP
aa
aa
rr
rr
aa
aa
mm
mm
ee
ee
tt
tt
ee
ee
rr
rr
RR
RR
aa
aa
nn
nn
gg
gg
ee
ee
DD
DD
ee
ee
ss
ss
cc
cc
rr
rr
ii
ii
pp
pp
tt
tt
ii
ii
oo
oo
nn
nn
Decay 0sec to 10.0sec Controls the amount of time it takes for the
reverberation to decay to a very low level after the input
signal stops. Higher values are recommended for the
hall reverb.
LF Decay -99% to +99% Functions as a tone control and boosts (when set to a
positive value) or cuts (when set to a negative value) the
rate at which low frequencies will decay.
HF Damping 100Hz to 21.2kHz Controls the rate of attenuation of high frequencies in
the decay of the reverberation. As natural reverb decays,
some high frequencies tend to get absorbed by the
environment. Increasing the value of this parameter will
gradually filter out (dampen) more and more high
frequency energy.