ENSONIQ ASR-X PRO - Page 54

Insert Effect Parameters
46 ENSONIQ ASR-X Pro UserÕs Guide
Mid 1 Gain Off, -49.5dB to +24dB Sets the amount of boost or cut applied to this mid
frequency band.
Mid 2 Fc 10Hz to 20.0kHz Identical to the Mid 1 Fc parameter, and is used to
control different bandwidths within the mid range.
Mid 2 Q 1.0 to 40.0 Identical to the Mid 1 Q parameter, and is used to
control different bandwidths within the mid range.
Mid 2 Gain Off, -49.5dB to +24dB Identical to the Mid 1 Gain parameter, and is used to
control different bandwidths within the mid range.
HiShelf Fc 10Hz to 20.0kHz Sets the center frequency of the high frequency shelf.
HiShelf Gain Off, -49.5dB to +24dB Sets the amount of boost or cut applied to this high
frequency shelf.
EQ Output Off, -49.5dB to +24dB Controls the gain coming out of the parametric EQ.
LFO Rate 1/1 Sys to 1/32 Sys, 0.0Hz
to 20.0Hz
Controls the rate of the modulation applied to the flange
effect.
LFO Shape Triangle, Sine, Sawtooth,
Square, Asym, 16-Step, 8-
Step, 4-Step
Determines the shape that the LFO will use for pitch
modulation.
LFO Phase -180deg to +180deg Controls the relative phase between left and right LFOs.
Flanger Depth 0.0ms to 25.0ms Controls the range of the high-to-low frequency sweep
in the flanger effect.
FlangerCenter 0.0ms to 50.0ms Sets the sweep mid-point of the flanger effect.
Notch Depth 0% to 100% Controls the depth of the peaks and notches produced
by the flanger. This parameter should be set to 100% for
maximum effect.
Feedback -99% to +99% Controls the amount of feedback applied to the flanger.
Positive or negative values will impart a different
tonality to the flange effect, either accenting the peaks or
the notches.
22
22
77
77
DD
DD
ii
ii
ss
ss
tt
tt
→PP
PP
hh
hh
aa
aa
ss
ss
ee
ee
rr
rr
This insert effect combines a raspy distortion with a phase shifter.
PP
PP
aa
aa
rr
rr
aa
aa
mm
mm
ee
ee
tt
tt
ee
ee
rr
rr
RR
RR
aa
aa
nn
nn
gg
gg
ee
ee
DD
DD
ee
ee
ss
ss
cc
cc
rr
rr
ii
ii
pp
pp
tt
tt
ii
ii
oo
oo
nn
nn
Dist LPF Fc 10Hz to 20.0kHz Filters out high frequencies prior to the distortion.
Dist Offset -99% to +99% Adjusts the balance of even-to-odd-generated
harmonics.
Dist Gain Off, -49.5dB to +48dB Controls the gain going into the distortion effect. This
will boost the signal level up to 48 dB. For more
distortion, use a high input level gain and turn the
distortion volume down to keep the volume under
control. For less distortion, use a low gain input level
and a higher output volume.
Dist Curve Soft, Medium 1, Medium 2,
Hard, Buzz
Selects the type of clipping produced by the distortion.
The curves range from tube-like distortion (Soft) to
nasty distortion (Buzz).
Dist Volume Off, -99dB to 0.0dB Controls the volume of the distortion effect. Generally, if
the distortion gain is set high, set this parameter lower.
Post VCF Fc 10Hz to 7.10kHz Determines the distortion filter cut off frequency. Higher
values have a brighter sound. This parameter can be
modulated by any continuous MIDI controller for a
wah-wah pedal effect.
Post VCF Q 1.0 to 40.0 Determines the level and width of the resonant peak at
the filter cutoff point. While the Fc (filter cutoff)
parameter determines where (at what frequency) this
peak will occur, the Q setting controls the sharpness of
the peak.
Dist Dry Lev Off, -49.5dB to 0.0dB Controls the amount of dry signal to be mixed with the
distorted signal.
EQ Input Off, -49.5dB to +24dB Adjusts the input level trim to the EQs to eliminate the
possibility of clipping boosted signals.