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Hagen Diezel - Page 9

Hagen Diezel
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3.2 Rea
r
3.2.1 Se
n
Th
e
pa
r
sig
n
kO
h
uni
t
eff
e
mu
pa
r
mo
3.2.2 Pa
r
Wh
Th
e
of
y
pro
dig
i
Thi
s
gui
t
un
d
ne
e
in
h
los
s
Wh
AD
A
ha
v
an
d
bei
n
al
w
Im
p
pa
r
ton
rea
r
Panel C
o
n
d/Retur
n
e
System c
o
r
allel, or sw
n
al strengt
h
h
m. If you
w
t
. Be sure
a
e
cts units h
st be conn
e
r
allel return
unted “Vol
u
r
allel or
S
ich is bett
e
e
re are 2 w
a
y
our Hagen
cessed, th
e
i
tize this si
g
s
is called
A
t
ar signal,
s
d
erstand. Y
o
e
ds to conv
e
h
ighest qua
s
of tonalit
y
en you us
e
A
converte
d
v
e hives de
v
d
the mix (l
n
g added t
o
w
ays an an
a
p
ortant: Yo
r
allel loop.
O
e. The sig
n
ch the am
p
o
nnection
s
n
Loop
o
nsists of 3
itched con
f
h
at the se
n
w
ant to us
e
a
nd adjust
t
ave led ba
r
e
cted to on
, then the
s
u
me” contr
o
S
erial
e
r for you?
R
a
ys to han
d
is interru
p
e
n sent ba
c
g
nal, then
p
A
DA conve
r
s
o that it b
e
o
ur tubes,
ert the sig
n
lity effects
y
and war
m
e
the serial
d
at least o
v
eloping b
y
abeled “Vo
o
the origi
n
a
log connec
u must set
O
therwise
t
n
al portion
t
p
lifier at a
d
s
separate
L
f
igurations.
n
d jacks. T
h
e
the loops
,
t
he input l
e
r
or other l
e
e of the re
t
s
ignal can
b
o
l.
R
ead on.
d
le effects
s
p
ted, the si
g
c
k to the se
p
rocess it,
t
r
sion. It is
n
e
comes a
d
however,
n
n
al back to
processor
s
m
th, also n
o
loop for an
nce. Tone
j
y
now. But,
lume”) con
n
al signal,
w
tion betwe
e
the mix c
o
t
here will b
e
t
hat is una
f
d
ifferent ti
m
L
oops. It al
l
The indivi
d
h
e range is
,
then con
n
e
vel of the
e
e
vel contro
t
urn jacks,
b
e mixed t
o
s
ignals. If
y
g
nal is sen
t
rial return
i
t
hen conve
n
ecessary f
d
igital code
,
n
eed an old
analog bef
o
s
, this caus
e
o
ticeable as
effects uni
j
unkies an
d
as always,
trol on the
w
hich now
s
e
n the sen
d
o
ntrol on th
e
e
nasty ph
a
f
fected by t
m
e due to t
h
l
ows creati
o
d
ual chann
e
- ... to +1
0
n
ect the “S
e
e
ffects uni
t
l devices.
T
parallel, s
w
o
the origin
y
ou use th
e
t
to the pro
c
i
nto the po
w
rt it back t
o
or digital e
f
,
which the
fashioned
o
re it goes
e
s a chang
e
a “harder
t like this,
t
d
vintage fr
e
,
there is a
back dete
r
s
till flows t
h
d
and retur
n
e effects u
n
a
sing probl
e
he mix con
h
e cabling,
o
n of effec
t
e
l volume
c
0
dB. The o
u
e
nd” to the
t
to the am
p
T
he Output
w
itched, or
al signal vi
a
e
serial retu
c
essor, get
w
er amp.
D
o
analog, t
h
f
fects units
processor
analog sig
n
back to th
e
e
in the ori
g
sound.
then your
s
e
aks alike
w
better way
r
mines how
h
rough the
n
jacks: a
p
n
it to 100
%
e
ms resulti
n
trol in the
e
and cause
t
s path in e
i
c
ontrols de
t
u
tput impe
d
input of th
p
lifiers lev
e
of the effe
c
serial. If y
o
a the rear
p
rn, then th
s more or l
D
igital effe
c
h
en send it
to do this
can read a
n
n
al, so the
p
e
amp. Ge
n
g
inal signal
s
ignal will
h
w
ill more t
h
. Using the
much effe
c
amplifier.
T
p
arallel loo
p
%
wet when
n
g in unsa
t
e
ffects uni
t
phasing c
a
i
ther serial
,
t
ermine th
e
d
ance is 4.
e Effects
e
l. Most
c
ts unit
o
u use the
p
anel
e signal pa
ess
c
ts units of
t
to the am
p
to your
n
d
p
rocessor
n
erally, eve
, typically
a
h
ave been
h
an likely
Parallel lo
o
c
t signal is
T
here is
p
!
using the
t
isfactory
t
would
a
ncellations
,
e
7
th
t
en
p
.
n
a
o
p
.