01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
FX CLIP Indicator
When the FX Clip LED blinks, it indicates the strong
mic input to the effect engine. When the LED light turns
red, it indicates the mic input signal will be overdriven.
Please turn down the mic trim control to weaken the
mic input signal.
FX CLIP IndicatorFX CLIP Indicator
1-5 Moni Mixer control
Each Moni Mixer control section is like an individual
mixer, and you can get to create the mix that is right
for you while the other band members do the same.
Everyone in the band can use their Moni Mixer
co ntrol s to ba l ance oth e rs’ level in thei r
headphones by turning up or down the control
marked the corresponding “1”or “ 2”or “ 3” or
other on their Moni Mixer section.
1-5 Moni Mixer control1-5 Moni Mixer control
FX control
The FX control lets you have complete control of
your mix effect, and create the mix that is right for
you. Also you can monitor your own mic input effect
and your band members in other channels.
FX controlFX control
1
2
4
3
5
Connection Schemes Functional Block Diagram Product Parameters
⑥ ⑦ ⑧ ⑨
REMOTES Connector
The REMOTES connector connects a Moni Mixer-5. Moni
Mixer-5 is a separate channel, and it can set the other
sections’ level by controlling the corresponding 1-5
controls. The REMOTE connector is a HDMI port, and it
can only connect to our Moni Mixer-5 for power and audio
frequency transmission.
POWER Connector
Power connector is a 4 PIN port, and you can only use the
power adapter provided with the Rock House.
REMOTES ConnectorREMOTES Connector
POWER ConnectorPOWER Connector
Microphone Input
Sensitivity
Frequency Response
Distortion( THD&N)
Gain Range
SNR ( Signal to Noise Ratio )
Phantom Power
Meters
Stereo Input
Gain Range
SNR( Signal to Noise Ratio )
Frequency Response
Sensitivity
Distortion (THD&N)
SNR( Signal to Noise Ratio )
Frequency Response
Sensitivity
Distortion (THD&N)
Maximum Voltage Gain Load:32 Ohms
Microphone Input
Stereo Input
Phones Output
A/D And D/A Converters
Type Of Effects
Presets
Display
Adjacent Input
Input → Output
Channels → Channels
Noise (Bus noise)
Phones Max Output
mix Range
Phones Range
Dimension (W D H)
Net Weight
Gross Weight
Type The noiseless rehearsal studio
Input Channels
Mono Channels(Ch1-Ch5)
XLR,Balance,Unbalanced
-50dB
20Hz ～ 22kHz, +/-2dB
0.05% At 0dB, 1kHz A-Weighted
Off to 0dB +/-3dB
80dB A-weighted
+45V ～ +52V With Switch Control
Green / Yellow (Green/Red) / Red
Maximum Voltage Gain Load:32 Ohms
( 53dB ) Ch1 Input→Phones Output1
( 53dB ) Ch2 Input→Phones Output1
( 53dB ) Ch3 Input→Phones Output1
( 53dB ) Ch4 Input→Phones Output1
( 53dB ) Ch5 Input→Phones Output1
( 40dB ) Ch4 Input→Phones Output1
( 40dB ) Ch5 Input→Phones Output1
Stereo Channels(Ch1-Ch5)
"1/4" TRS，Unbalanced
Off to 0dB +/-3dB
90dB A-weighted
USB Channel
80dB A-weighted
20Hz ～ 22kHz, +/-2dB
20Hz ～ 22kHz, +/-2dB
-40dB
0.05% At 0dB, 1kHz A-weighted
Maximum Voltage Gain Load:32 Ohms
( 40dB ) Ch1 Input→Phones Output1
( 40dB ) Ch2 Input→Phones Output1
( 40dB ) Ch3 Input→Phones Output1
0dB
0.05% At +0dB, 1kHz A-Weighted
( 6dB ) USB→Phones Output5
Impedance
3.3k Ohms
22k Ohms
32 Ohms
Dsp Section
24 bits
Slap-Back,Ping-Pong,Big Ambiance,Early
Reflections,Echo,Gate,Med Room,Hall,Small
Hall,Chorus,Flanger,Phaser,Church,Chapel,Rotary
Speaker,Reverse Reverb
16-Posistion Preset Selector
Character / Clip LED
Crosstalk
-70dB @ 1KHz ( Channels Gain Min ) A-weighted
-75dB @ 1KHz ( Mix Knob Min ) A-weighted
-70dB @ 1KHz A-weighted
Mix Phones
Section
-80dB @ 20Hz～22KHz ( Channels Gain Min ) A-weighted
+6dB Unbalanced "1/4" Jacks
Off to 0dB +/-3dB
Off to 0dB +/-3dB
Rated Power Consumption 25W
Main Voltage
DC +/-15V 1A +48V 0.2A
Power Supply
AC100～240V 50Hz～60Hz Fuse: T1.6A 250V ( Switch Power )
Physical
275*240*59mm
3.7kg
4.3kg
JOYO TECHNOLOGY CO., LTD
Address: 2/F, Lushi Industry Building, 28th District, Bao'an, Shenzhen, 518101 China.
www.joyoaudio.com Email:jack@joyoaudio.com Tel: 0086-755-29765381
JOYO TECHNOLOGY CO., LTD
User Manual
Rock House
noiseless rehearsal studio
Type
Slap Back
Ping Pong
Big Ambiance
Early Reflections
Echo
Gate
Med
Hall
Small Hall
Chorus
Flanger
Phaser
Church
Chapel
Rotary Speaker
Reverse Reverb
NO.
Parameter
Delay time
Delay time
Reverb time
Reverb time
Delay time
Reverb time
Reverb time
Reverb time
Reverb time
Frequency
Frequency
Frequency
Reverb time
Reverb time
Frequency
Reverb time
10-100ms
10-100ms
2.1s
80-100ms
225ms
0.8-1.2s
1.8s
2.8s
1.5s
0.15-0.4Hz
0.15-0.5Hz
0.05-0.5Hz
6s
3.5s
0.1-5Hz
1.2s
Description
A mono delay with double effect
A full stereo delay
A big room with enough reflections
A delay with a series of early reflections
An attenuative repeat of the original signals
A gate reverb effect resulting from cutting off the Hall reverb
Reverb with short early reflections
2.8 seconds of reverb with enough late reflections
1.5 seconds of reverb with early reflections
A “stronger” sound from modulation of signal and delay time
An enhanced tonal scale of the original signals
Phase shifting effect
6 seconds of reverb with plenty of late reflections
A reverb with a lot of late reflections
180 degrees phase shift and peak modulation
A reverse reverb with 1.2 seconds of reverb time
Rock House noiseless rehearsal studio
To Next Page
Need help?
General