Krix Apex - Phoenix

Frequency Range 35Hz-20kHzinroomresponse
Power Handling Maximum150wattsRMSamplierpower 
into4ohms
Sensitivity 90dBfor2.83voltsat1metre
Conguration Pointsourcedual6
1
/2inch2-way 
bi-wirable/bi-ampable.
Bass Drivers Fibrereinforcedmouldedpolymerbaskets
with2xnominal165mm(6
1
/2”)doped
papercones.25mm(1”)ventedmagnet,
voicecoilwoundonhighpowered
aluminiumformer
Tweeter 28mm(1”)dopedfabricdome.Ferrouid
cooled.Doublemagnetshielded
Crossover Point 1.9kHz
Impedance Nominally4ohms
Enclosure Type Bassreex,rearventedwith 
internal/externalaring
Dimensions 935mmhighx205mmwidex320mmdeep
Material 17mmMDF,heavilybraced
Finish Vinylorlacqueredtimberveneer
Volume 39litresinternal
Weight 19kgeach
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The Phoenix have risen from the ashes of what was unquestionably Krix’s most
awarded and respected loudspeaker, the Lyrix / Lyrix Gold. Tonal depth, imaging
and balanced musicality are highlights in this slim oorstanding design. Involve
yourself in the experience of sound with the Phoenix.
“Commencing then with Pavarotti in the role of Lieutenant
B. F Pinkerton in Decca’s 1974 recording of Madama
Buttery, the Phoenix gave tremendous body and depth to
the tenor’s voice. In the upper register, the ‘King of the High
C’ himself sounded assured and grain free through the Krix
tweeters. The overall sound was full and satisfying with
lovely amounts of tight bass. With the Miles Davis recording
‘Round About Midnight’, the Krix were open and transparent
when playing Miles’ solos, yet bopped along with the rest
of the band when the tempo picked up. The transparency
could be put down to a couple of things, but I think it is the
crossover which must take most of the credit here. I’m sure
it was a process of careful listening and adjustment during
the development phase.”–Audio&VideoLifestyle–Australia