4
Standard Single Input Setup - in this setup your acoustic/electric guitar is plugged into input
2. (Remember, if you are using an active guitar or pre-amplified guitar, select the active input.
We also suggest that you turn its output level to about mid-way up and this will give you a
cleaner sound as well as giving you available headroom for leads.) The tone controls follow
both inputs.
Of course, you can adjust the tone controls to any desired sound, but in this setup we suggest
these tone control settings. It will deliver a clear, clean sound that has enough top end clarity
to cut through. Add low and low mid for a beefier presence, but be careful as this can “muddy
up” the sound.
Adjust the reverb and chorus to suit the music or to your taste.
Standard Dual Input Setup - in this setup two inputs are utilized. Guitar is plugged into guitar
input jack and a Hi-Z microphone is plugged into mic/line Input. Assuming you are also using
a microphone, plug it into the mic/line jack and slowly turn up the mic/line volume control.
Balancing the two types of inputs gives you a much more natural acoustic guitar sound.
You could also plug in any combination of inputs such as: keyboards, microphones or other
guitars.
This can also be a basic mini-PA system. It could be used for plugging in a CD player or
cassette deck and a microphone for singing. It can be used for playing over prerecorded tapes
with mixing capabilities.
As mentioned earlier, you can adjust the tone controls to any desired sound, but in this setup
we suggest these tone control settings. Of course it depends on the listening environment. It
will deliver a clear, clean sound that has enough top end clarity to let the acoustic sound cut
through.
Adjust the reverb to suit the music or to your taste.
(These settings are general starting points. They are designed to
get you close to the sound you are looking for. If the control is not
shown, then it doesn’t apply to this particular sound. )
Suggested Settings
5
6
7
8
2
3
4
1
EFFECTS PHASE
1. BRIGHT ROOM
2. MELLOW ROOM
3. BRIGHT HALL
4. MELLOW HALL
5. CHORUS
6. CHORUS/ROOM
7. CHORUS/HALL
8. SLAPBACK
65 WATT MOSFET ACOUSTIC GUITAR AMPLIFIER
EFFECTS
O
VLUME
ONON
PROGRAM
LEVEL
POWER
TREBLE
FEEDBACK
BASS
GAIN 1
INSTR U MENTMICROPHONE
TREBLEMIDDLE
BASS
GAIN 2
PIEZO ACTIVE
PROGRAM
LEVEL
5
6
7
8
2
3
4
1
POWER
TREBLE
FEEDBACK
BASS
GAIN 1
INSTR U MENTMICROPHONE
TREBLEMIDDLE
BASS
GAIN 2
EFFECTS PHASE
1. BRIGHT ROOM
2. MELLOW ROOM
3. BRIGHT HALL
4. MELLOW HALL
5. CHORUS
6. CHORUS/ROOM
7. CHORUS/HALL
8. SLAPBACK
65 WATT MOSFET ACOUSTIC GUITAR AMPLIFIER
EFFECTS
O
VLUME
ONON
PIEZO ACTIVE
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