Need help?Do you have a question about the LA Audio EQ231G and is the answer not in the manual?
General| Channels | 2 |
|---|---|
| Frequency Bands | 31 |
| Bands | 31 |
| Bandwidth | 1/3 Octave |
| Input Connectors | XLR, 1/4" TRS |
| Output Connectors | XLR, 1/4" TRS |
| Frequency Range | 20Hz - 20kHz |
| THD | < 0.1% |
| Total Harmonic Distortion | < 0.1% |
| Input Impedance | 20kΩ |
| Output Impedance | 600Ω |
| Power Supply | 100-240VAC, 50/60Hz |
| Type | Stereo Graphic Equalizer |
| Frequency Response | 20Hz - 20kHz, +/-0.5dB |
Covers risk of electric shock, not opening unit, earthing, and moisture.
Instructs users to read all safety instructions before connecting power.
Details earth connection importance and not removing unit covers.
Advises checking voltage and correct fuse type for safe operation.
Outlines avoiding moisture and proper heat dissipation for the unit.
Describes the EQ231G as a dual 31-band graphic equaliser with specific features.
Details optional features like parallel outputs for distortion cancellation and isolation.
Instructions on checking for transit damage and shipment contents.
Specifies temperature, humidity, and proximity to electromagnetic fields.
Details voltage selection and fuse ratings for safe operation.
Describes XLR input/output wiring and pin assignments for balanced signals.
Explains impedance matching requirements and the unit's input/output impedance.
Details acceptable input signal levels and potential for clipping or distortion.
Controls EQ gain at 31 ISO frequencies with cut/boost range and centre detent.
Allows filters to be taken out of circuit for comparison, with LED indication.
Adjusts input stage gain from - to +6dB with unity gain centre detent.
Illuminates within 2dB of clipping (+18dBu); suggests reducing input gain if lit.
Allows the high-pass filter to be taken out of circuit for comparison.
Varies the hi-pass filter turnover frequency from 16 to 160Hz.
Tailoring sound to correct acoustic response for improved intelligibility or volume.
Used to change original sound to be more pleasing or blend with other signals.
Reducing or removing 's' sounds or using EQ with compressors as a de-esser.
Reducing low frequency emphasis from cardioid microphones for clarity.
Creating effects like 'telephone voice' or 'comb over' for sonic interest.
Increasing gain before feedback (GBF) by cutting feedback frequencies.
Discusses placement of EQs before dynamics processors for optimal results.
Visual representation of the EQ231G's internal signal flow.
Details frequency response, S/N ratio, impedance, output level, distortion, and dimensions.
Unit requires no preventative maintenance and is built for long-lasting performance.
One-year warranty covering defects in materials and workmanship.
Excludes repairs due to modification, misuse, negligence, or accident.
To Next Page
