LD LAX 502 - Page 11

CONTROL ELEMENTS:
1
MIC
Each mono input channel offers a balanced microphone input via the XLR connector and also features swit-
chable +48 V phantom power supply for condenser microphones. The LAX preamps provide undistorted and
noise-free gain as is typically known only from costly outboard preamps.
2
LINE IN
Each mono input also features a balanced line input on a 6.3 mm Jack connector. Unbalanced devices (mono
jacks) can also be connected to these inputs.
3
TRIM
Use the TRIM control to adjust the input gain. This control should always be turned fully counterclock wise
whenever you connect or disconnect a signal source to one of the inputs.
The scale has 2 different value range: the first value range (+10 to +60 dB) refers to the MIC input and
shows the amplification for the signals fed in there.
The second value range (+10 to -40 dB) refers to the line input and shows its sensitivity.
4
EQ
All mono input channels include a 3-band equalizer (2-band equalizer LAX 502). All bands provide boost or
cut of up to 15 dB. In the central position, the equalizer is inactive.
5
PAN
The PAN control determines the position of channel signal within the stereo image.
6
LEVEL
The LEVEL control determines the level of the channel signal in the main mix
-Attention: Since the FX path for the effect processor is connected post-fader, the LEVEL control has to be
turned up in order to get this channels signal to the effects processor! (EXCEPT LAX 502)
CONTROL ELEMENTS LAX 1002D / 1202D:
11
ITALIANO
POLSKI
ESPAÑOL
FRANCAIS
FRANCAIS
FRANCAIS
FRANCAIS
FRANCAIS
DEUTSCH
ENGLISH