5-23
The Presets
MA:B13P5 BIG & SHORT MB:B12P3 CHORUS
This Setup is a variation of the one above, except that it’s a shorter “close in” effect. The SoftSlider
controls the amount of reverb effect feeding into Machine B. The LFO is patched itself such that the
LFO speed is never contant. Machine B’s output is channel-swapped, so don’t drive yourself crazy
trying to find the backward cabling.
MA: B13P5 BIG & SHORT
This reverb effect is short, almost gated. Big room size set to 54.6M, and Rt set to 0.9 seconds. This
preset really opens up a sparse track.
MB: B12P3 CHORUS
This preset makes use of a small variation in the glide delay to modulate the sound. The glide moves
between 9.7ms and 11.8ms. Advancing the LFO to values near 1.50Hz to 2.0 Hz yields a nice
chorusing effect. There are no other delay lines, but the output lines are channel-swapped such that
the left input passes to the right output, and vice-versa.
P145 CC:OVER!TOP SoftSlider LFO RATE 50
MA:B12P1 OVERTHETOP1 MB:B12P2 OVERTHETOP2
Use pre-fader or in an insert point. One flanger feeds the next. Very heavy duty. The input gain to
the Setup is set to -4dB. This is to compensate for the heavy amount of flange gain in both Machines.
Since the LFO is in the setup domain, it drives both flange glide delays in each Machine. The speed
of the LFO is controlled by the SoftSlider. Remember the outputs of OverThe Top2 are reversed, so
don’t drive yourself crazy trying to find reversed patch cords!
MA: B12P1 OVERTHETOP1
This preset should be used pretty much through the box, i.e. patched to the LFO. When properly
modulated, the flange delay glides between 9.5ms and 18.7ms. The base delays are set to 10ms
with a positive feedback gain. Over the top cancellation occurs as the glide delay passes over the
10ms base delay.
MB: B12P2 OVERTHETOP2
Similar to OverTheTop1, except the flange delay glides between 0.08 ms and 10.7ms. This flange
delay is patched to the LFO. Base delays are set to 10ms with a negative amplifier gain. Over the
top cancellation occurs as the glide delay passes over the 10ms base delay. The channel outputs
are reversed such that the left input will pass through to the right output and vice-versa.
P146 CC: GUITARXP SoftSlider LFO RATE 50
EA:B12P9 LFO:PAN&FAZE EB:B12P8 LFO:FAZE DLYS
GuitarXP incorporates a left/right panning effect in Machine A into a modulating glide effect with
added delays. The LFO (set to 0.20Hz with a triangle waveform) ties it all together. Here’re some
suggestions: add some extra LDLY (Left delay) and RDLY (Right delay) to Machine B in the
Program. Go back to Setup,and reduce BMIX to less than the preset 100% - say, to something like
45%, find the Cascade feedback parameter and add a small (NO MORE THAN 15%) amount of
feedback gain, either positive or negative, then store it all in a Setup Register.
MA: B12P9 LFO:PAN&FAZE
This cool wavy preset should be run pre-fader with the Setup LFO at about .20Hz. With a mono or
stereo signal attached to both inputs, the acoustic effect is a slow rotation in phase. Clean
compressed guitars are the best here.
MB: B12P8 LFO:FAZEDLYS
Faze Dlys makes use of the LFO patched to the Flange Glide Delay(FDL). The base delays are set
in different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative
feed gain. As the Glide passes over each base delay, the phase of each gain is changed. In between,
the output is a mixture of each. A great effect on a ripping guitar solo.
P147 CC:EKO->FAZE SoftSlider AMIX 60
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