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Lexicon PCM 42 - SECTION FOUR APPLICATIONS; 4.0 Interconnecting the PCM 42

Lexicon PCM 42
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SECTION
FOUR
APPLICATIONS
4.0
INTERCONNECTING
THE
PCM
42
amples
shown
below
are
representative
of
typical
per
former,
Studio
and
sound
reinforcement
setups.
Front
Within
a
given
sound
system,
there
are
a
number
of
panel
control
settings
to
achieve
specific
effects
are
possible
patch
configurations
for
using
the
42.
The
ex-
given
in
Section
4.4.
SOURCE
FERGIE
oe
oe
.
CRE
SNS
aun
os
: :
:
:
co
Ca
ges:
O
oO
:
oe
ads
eRe
Sake
Roos
PS
comer
FSi
REA.
Seserue
a
oe
O
O
db
ss
Figure
4.1
BASIC
MONO
SETUP
The
setup
shown
in
Fig.
4.1
is
the
most
basic
form
of
connection
for
a
performer.
If
other
effects/processing
devices
are
used,
the
42
delay
line
should
be
the
last
item
in
the
chain
before
the
amplifier.
See
Section
4.5
for
special
types
of
interconnect
to
external
devices.
PREAMP
OUT
Figure
4.2
BASIC
SETUP
WITH
AMPLIFIER
EFFECTS
LOOP
Many
modern
instrument
amplifiers
provide
preampili-
fier
send
and
return
jacks.
If
such
a
facility
is
available
on
your
amp,
it
is
recommended
that
the
PCM
42
be
connected
into
that
loop.
This
puts
the
amplifier’s
tone
controls
and
distortion
effects
ahead
of
the
delay
line,
generally
giving
a
cleaner,
more
pleasing
effect.
13

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