Lexicon PCM 42 - Introduction

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Figure 4.3 —~ BASIC STEREO SETUP
only in stereo, e€.g. mono-to-stereo conversion and
localization of sound image. We highly recommend the
use of the stereo setup in Fig. 4.3, or a more general
setup using a mixing console (See Fig. 4.4).
Many of the very striking effects achievable with
audio delay require a stereo field for maximum impact.
These include ambient enhancements, double tracking,
ben ey t
slap echo and others. A few applications are possible
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Figure 4.4 — BASIC RECORDING OR SOUND REINFORCEMENT SETUP
review the definition of each effect. |f you are com-
pletely-familiar with the common usages of time delay,
the illustrations and their captions will be all you need.
Readers who would like to learn more about time delay
applications than is presented here may send for a copy
4.1 GENERAL APPLICATION NOTES AND of Lexicon Application Note AN-3.
SET-UPS
For sound reinforcement and studio applications, the
PCM 42 is usually connected to an effects send and
return on the console.
In trying out these settings, consider the fact that for
4.1.0 Introduction any given setup the audible effect may be completely
different for different program sources. For example,
some tunneling effects may be dramatic with vocals and
in the course of showing you how to create specific
scarcely noticeable with guitar. For this reason, the
delay processing effects with your PCM 42, we will
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