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Line 6 Flextone II User Manual

Line 6 Flextone II
89 pages
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Pilot’s Handbook
Your source for the insider information on your Flextone II
and the optional foot controllers,
Floor Board
and
FB4
.
Rev H. Electrophonic version available at www.line6.com and on accompanying CD.
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Line 6 Flextone II Specifications

General IconGeneral
MIDIYes
TypeDigital Modeling Amplifier
Speaker1x12" Custom Celestion
Amplifier Models16
EffectsChorus, Flanger, Delay, Reverb
FootswitchOptional
Inputs1/4" Instrument Input

Summary

QUICK START GUIDE

Getting Started

Initial steps to set up and operate the Flextone amplifier.

Online Resources

Guide to accessing Line 6 website for support, updates, and community forums.

INTRODUCTION

Meet the Flextone

Overview of the Flextone amplifier, its features, and unique selling points.

Modeling Technology

Explanation of Line 6's digital signal processing and modeling technology.

Amp & Cab Models Explained

Details on how amp and cabinet models are created and their sonic characteristics.

A.I.R. Direct Recording

Explanation of the A.I.R. technology for direct recording output and its benefits.

Customizing Sounds

How to customize amp models and effects settings for personalized sounds.

GRAND TOUR

Front Panel Controls

Detailed explanation of all controls on the Flextone's front panel and their functions.

Rear Panel Connections

Description of rear panel jacks, connectors, and their purposes for connectivity.

Flextone Flavors

Overview of the different Flextone II models and their specifications.

MODELED AMPS & CABS

Amp Model Descriptions

Detailed descriptions of each of the Flextone's modeled amplifier sounds and their origins.

Cabinet Model List

List of available cabinet models and how they are accessed and used.

FLEXTONE EFFECTS

Onboard Effects Overview

Explanation of available effects like Reverb, Compressor, Tremolo, Chorus, and Delay.

Deep Editing Effects

Using software for advanced editing and MIDI control of effects parameters.

CREATING & STORING SOUNDS

Manual Mode Features

Using the amp's controls in real-time without saved presets.

Channel Memories

How to save and recall custom sounds to the amp's memory locations.

Tone Transfer

Transferring sounds between Flextone, POD, and other devices.

Edit Mode

Modifying and re-saving existing channel memories.

Customizing Amp Models & Effects

Personalizing default settings for Amp Models and Effects.

Memory Reset

Restoring the Flextone's memory to factory default settings.

USING FOOT CONTROLLERS

Floor Board Controller

Connecting and operating the Flextone with the Floor Board foot controller.

Floor Board Modes

Explanation of Channel Select Mode and Effect On/Off Mode for the Floor Board.

FB4 Controller

Basic channel switching and tap tempo control using the FB4 foot controller.

DEEP EDITING & MIDI CONTROL

MIDI Basics

Fundamentals of MIDI communication, channels, and messages for controlling the Flextone.

Tone Transfer via MIDI

Transferring sounds between Flextone, POD, and other devices using MIDI.

SoundDiver Software

Using Emagic SoundDiver for editing, managing, and backing up Flextone sounds.

SoundDiver Setup Troubleshooting

Tips for resolving common issues when setting up SoundDiver with the Flextone.

INSIDE YOUR HEAD (FLEKTONE II HD)

Effects Loop

Understanding and using the Flextone HD's stereo effects loop for external processors.

Cabinet Hook-ups

Connecting external speaker cabinets to the Flextone amplifier head.

APPENDICES

Appendix A: Amp Models

Reference list of all modeled amp names and their inspirations.

Appendix B: Effect Parameters

Details on tap, tweak, and notes for each onboard effect.

Appendix C: MIDI Program Changes

Table mapping Flextone channels to MIDI program change numbers.

Appendix D: MIDI Controls

Mapping of SoundDiver parameters to MIDI control numbers and ranges.

Appendix E: Line 6 Contact

Contact information for Line 6 customer support and details on other Line 6 products.

Appendix F: Warranty Info

Details on Line 6's limited warranty and how to obtain service.

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