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Panasonic Lumix DMC-FZ5 - User Manual

Panasonic Lumix DMC-FZ5
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Photo Review AUSTRALIA www.photoreview.com.au
Panasonic Lumix
DMC-FZ5
FIXED LENS ENTHUSIAST
Available in black or silver, Panasonic’s Lumix
DMC-FZ5 sports the same Leica 12x optical
zoom lens as its successful predecessor, the
DMC-FZ20, but unlike the FZ20, it cannot
maintain the f2.8 maximum aperture
throughout its full zoom range. With a plastic
body that is almost identical to that of the
3-megapixel FZ3, the FZ5 is smaller, roughly
40% lighter, and 20% cheaper than the
FZ20. The camera’s body is well made and
feels comfortable in the hands.
Panasonic has made the FZ5’s grip slightly
larger and moved the shutter release button
forward to make room for the ‘Mega O.I.S.’
button that sets the three stabilisation modes
(continuous, standby and off). The default
continuous setting works for both viewing
the subject and image capture and can be
helpful when composing tele shots. The
drain it places on the battery appears to be
negligible. Standby can only be used for still
shooting and activates the stabiliser when the
shutter button is pressed. It offers a higher
degree of stabilisation that is particularly
useful when the digital zoom is used.
The FZ5’S viewfinder is remarkably good
for an EVF and covered the sensor’s field of
view very accurately. Its colour reproduction
was excellent and it was less prone to
streaking in backlit conditions than most
EVFs we’ve encountered. Its high eyepoint
makes it easy to use when wearing glasses
and adjustment of +/-4 diopters is provided,
the widest range we’ve encountered yet. The
larger 1.8-inch LCD screen gives the FZ5 an
advantage over its predecessor - and some
competing models.
Most controls on the FZ5 are
straightforward and the mode dial has a
special ‘Simple’ setting that allows it to be
used as a point-and-shoot camera. The menu
design is, as usual, excellent and very quick
to use. However, once you switch to the A,
S and M modes, changing camera settings
requires use of the Exposure button in
conjunction with the four-way controller. This
is both clumsy and slow.
Like the FZ3, the FZ5 lacks
manual focusing but has a focus
button that lets users pre-focus
on a subject without using the
shutter release. A handy feature
for shots of fireworks and
anticipated events, the button
locks the focus on the selected subject and
maintains that setting until the focus button is
pressed again.
Three burst modes are supported: high
speed, low speed and continuous. The first
records four Fine (or seven Standard) JPEG
images at 0.3 frames per second, while
the others capture at 0.5 fps for the same
number of shots (in low speed mode) or
to the card’s capacity (unlimited mode). In
Simple mode the burst speed is fixed at low.
The FZ5’s movie modes are similar to those on
the FZ3: QVGA resolution at 10 or 30fps with
sound. Focus, zoom and aperture settings
are fixed at the start of each clip and a 25-
second clip at 30 fps fills the supplied 16MB
memory card, so you need a much larger card
to use this function. Video quality was good
for the resolution but not quite good enough
for TV display.
On the whole, the test camera delivered
nicely-exposed pictures with accurate colours
and modest saturation levels, although skin
tones were rendered slightly warm. Imatest
testing showed the lens/sensor combination
delivered above average image sharpness
and chromatic aberration was negligible.
The auto white balance delivered good
results with fluorescent lighting but failed to
eliminate the orange cast of incandescent
lights. However the pre-sets and manual
control produced excellent results. Highlight
details were lost in bright outdoor conditions
but the overall image contrast range was
excellent in subdued lighting and image noise
was low at all ISO settings in long exposures
after dark. The image stabiliser performed
well in both modes, allowing candid shots to
be taken in indoor conditions without flash.
The flash was comparatively weak, requiring
ISO 400 sensitivity to adequately illuminate
an average-sized room. It also produced poor
results for close-ups because the lens tended
to block much of its light.
The test camera took approximately
three seconds to power up and shut down,
which is good for a long zoom camera. We
measured an average capture lag of 0.6
seconds when focusing was required, which
reduced to 0.1 seconds with pre-focusing.
The camera took less than a second to
process a high-resolution JPEG file but almost
three seconds for a TIFF image, both of which
are relatively fast cycle times.
SHARP AND STABLE TELEPHOTO SHOOTING FROM A
STYLISH CAMERA WITH HIGH FUNCTIONALITY.
IMAGE SENSOR:
4.54 x 3.41mm CCD with 5.36 million
photosites (5.0 megapixels effective)
LENS:
Leica DC Vario-Elmarit 6-72mm f2.8-
f3.3 stabilised zoom (36-423mm in
35mm format)
ZOOM RATIO:
12x optical, up to 4x digital
LENS MULTIPLIER FACTOR: 7.9x
DIMENSIONS (WXHXD):
108 x 68.4 x 84.8mm
WEIGHT: 290g
RRP: $879
QUALITY RATING (OUT OF 10)
Build: 8.0
Ease of use: 8.5
Image quality: 8.5
Value for money: 8.5
SPECIFICATIONS
DISTRIBUTOR:
Panasonic Australia; 132 600;
www.panasonic.com.au
Question and Answer IconNeed help?

Do you have a question about the Panasonic Lumix DMC-FZ5 and is the answer not in the manual?

Overview

This document describes the Panasonic Lumix DMC-FZ5, a digital camera designed for sharp and stable telephoto shooting, offering high functionality within a stylish body.

Function Description

The Panasonic Lumix DMC-FZ5 is equipped with a Leica 12x optical zoom lens, similar to its predecessor, the DMC-FZ20. However, unlike the FZ20, it does not maintain the f2.8 maximum aperture throughout its entire zoom range. The camera features a 5.0-megapixel effective CCD sensor, capable of capturing high-resolution JPEG and TIFF images.

For still photography, the FZ5 supports three burst modes: high speed, low speed, and continuous. In high-speed mode, it records four Fine (or seven Standard) JPEG images at 0.3 frames per second. The other modes capture images at 0.5 frames per second for the same number of shots (in low-speed mode) or up to the card's capacity (unlimited mode). When in 'Simple' mode, the burst speed is fixed at low. The camera also includes a focus button that allows users to pre-focus on a subject without fully pressing the shutter release, a useful feature for capturing anticipated events like fireworks. This button locks the focus on the selected subject until pressed again.

The FZ5 also offers movie recording capabilities, similar to those found on the FZ3. It records QVGA resolution video at either 10 or 30 frames per second, with accompanying sound. During movie recording, the focus, zoom, and aperture settings are fixed at the beginning of each clip. A 25-second clip recorded at 30 frames per second will fill the supplied 16MB memory card, indicating that a larger memory card would be necessary for extended video capture.

The camera incorporates a 'Mega O.I.S.' (Optical Image Stabiliser) system with three selectable modes: continuous, standby, and off. The continuous setting is the default and works for both viewing the subject and capturing images, proving particularly helpful when composing telephoto shots. The standby mode is specifically for still shooting and activates the stabiliser only when the shutter button is pressed. This feature offers an enhanced degree of stabilisation, especially beneficial when using the digital zoom.

Usage Features

The DMC-FZ5 is available in black or silver and features a plastic body that is nearly identical to that of the 3-megapixel FZ3. It is notably smaller, roughly 40% lighter, and 20% cheaper than the FZ20. The camera's body is well-made and designed to feel comfortable in the user's hands. The grip has been slightly enlarged, and the shutter release button has been moved forward to accommodate the 'Mega O.I.S.' button.

The camera's viewfinder is an Electronic Viewfinder (EVF) that is described as remarkably good, accurately covering the sensor's field of view. Its color reproduction is excellent, and it exhibits less streaking in backlit conditions compared to many other EVFs. A high eyepoint makes it comfortable for users wearing glasses, and it provides a wide adjustment range of +/-4 diopters. The larger 1.8-inch LCD screen offers an advantage over its predecessor and some competing models, enhancing the viewing experience.

Most of the controls on the FZ5 are straightforward. The mode dial includes a special 'Simple' setting, which allows the camera to be used as a basic point-and-shoot device. The menu design is intuitive, excellent, and quick to navigate. However, when switching to the A (Aperture Priority), S (Shutter Priority), and M (Manual) modes, changing camera settings requires the use of the Exposure button in conjunction with the four-way controller, a process that can be somewhat clumsy and slow.

The camera's performance includes a power-up and shut-down time of approximately three seconds, which is considered good for a long zoom camera. The average capture lag when focusing is required is 0.6 seconds, which can be reduced to 0.1 seconds with pre-focusing. Processing a high-resolution JPEG file takes less than a second, while a TIFF image takes almost three seconds. Both are considered relatively fast cycle times.

The camera delivers nicely-exposed pictures with accurate colors and modest saturation levels. Skin tones are rendered slightly warm. The lens/sensor combination provides above-average image sharpness, with negligible chromatic aberration. The auto white balance performs well in fluorescent lighting but struggles to eliminate the orange cast from incandescent lights. However, using the pre-set or manual control for white balance yields excellent results. While highlight details may be lost in bright outdoor conditions, the overall image contrast range is excellent in subdued lighting, and image noise remains low at all ISO settings during long exposures in dark conditions. The image stabiliser effectively allows for candid shots in indoor conditions without flash. The built-in flash, however, is comparatively weak and requires ISO 400 sensitivity to adequately illuminate an average-sized room. It also produces poor results for close-ups due to the lens tending to block much of its light.

Maintenance Features

The document does not explicitly detail maintenance features. However, the mention of the camera's body being "well made" suggests a degree of durability. The camera's design, with its comfortable grip and accessible controls, implies ease of handling during use, which can contribute to its longevity. The effectiveness of the image stabiliser in various conditions, including indoor shots without flash, reduces the need for external lighting equipment, simplifying usage and potentially reducing wear on accessories. The camera's ability to perform well in subdued lighting with low image noise at all ISO settings in long exposures after dark indicates robust internal processing that minimizes the need for extensive post-processing or reliance on additional lighting, which could be considered a form of operational maintenance by reducing strain on the device. The note about needing a much larger memory card for extended video recording implies that users should consider this for optimal performance and to avoid frequent data transfers or deletions, which can be a form of data management maintenance.

Panasonic Lumix DMC-FZ5 Specifications

General IconGeneral
Megapixel5 MP
Camera typeCompact camera
Sensor typeCCD
Image stabilizerYes
Image sensor size1/2.5 \
Maximum image resolution2560 x 1920 pixels
Digital zoom4 x
Optical zoom12 x
Focal length range6 - 72 mm
InterfaceAV out, USB
Digital SLRNo
Camera shutter speed8 - 1/2000 s
Focal length (35mm film equivalent)36 - 432 mm
Focus adjustmentAuto
Normal focusing range(W)0.3 - ∞, (T) 2 - ∞ m
Macro focusing range (tele)2 - ∞ m
Macro focusing range (wide)0.05 - ∞ m
Normal focusing range (wide)0.3 - ∞ m
Light meteringCentre-weighted, Spot
ISO sensitivity80, 100, 200, 400, Auto
Flash modesauto, Red-eye reduction, Slow synchronization
Flash range (wide)0.5 - 4.8 m
Motion JPEG frame rate30 fps
Maximum video resolution320 x 240 pixels
Field of view100 %
Display diagonal1.8 \
Display resolution (numeric)114000 pixels
USB version2.0
Photo effectsblack&white, Sepia, Vivid
White balanceauto, Cloudy, daylight
Camera playbackMovie
Self-timer delay2, 10 s
Product colorSilver
Battery type7.2V
Battery capacity680 mAh
Compatible memory cardssd
Weight and Dimensions IconWeight and Dimensions
Depth84.8 mm
Width108 mm
Height68.4 mm
Weight326 g

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