Rane Empath - Penny & Giles Faders; Advanced Cue selection; Headphone Monitor

EMPATH
MIXERS
Data Sheet-3
AUDIO PRECISION vs
-20
-18
-16
-14
-12
-10
-8
-6
-4
-2
0
2
4
6
8
10
12
14
16
18
20
AMPL(dBr)
20 100 1k 10k 50k
FREQ(Hz)
Low +12, High +12
Low 0, High 0
Low -12, High -12
Combined response of the Mic and Headphone Tone controls
AUDIO PRECISION vs
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
AMPL(dBr)
20 100 1k 10k 50k
FREQ(Hz)
Summed Response
High MidLow
Low Off,
Mid 0,
High Off
Low 0,
Mid Off,
High Off
Low 0, Mid 0, High 0
Low Off,
Mid Off,
High 0
Three Program EQ lter bands and the at summed response
Interactivity of the Accelerated-Slope™ EQ controls
Fader Response
0
20
40
60
80
100
Channel and CrossFader Contour
travel
dB Attenuation
Slowest
Fastest
AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
G
A
I
N
FREQUENCY
20 1001k10k 20
k
LOW–
MID–
HIGH–
LOW+
MID+
HIGH+
AUDIO PRECISION AMPL (dBr) vs AMPL (dBr) 23 MAY 102 13:01:49
-24
-21
-18
-15
-12
-9
-6
-3
0
3
6
9
12
-24 -21 -18 -15 -12 -9 -6 -3 036912
O
U
T
P
U
T
L
E
V
E
L
INPUT LEVEL
Gain is
increased
Gain is
held below
Threshold
Gain is
decreased
-16 dB Threshold
Target
Auto-Gain Response
Auto-Gain looks at the input signal level (black line) and com-
pares it to the ideal or “Target” level (0 dB). With Auto-Gain on,
the gain is increased when it’s above -16 dB, and decreased when
it goes over the 0 dB Target (red line). Once Auto-Gain is active
and falls below -16 dB, it is held indenitely (blue line).
SLOW FAST
SLOW FAST
EQ Response
These curves represent the
upper and lower limits for
gain response vs fader posi-
tion. Contour controls allow
smooth and continuous
adjustment between a slow
fade and a fast cut.