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Lists the primary benefits and characteristics of the Ravelli ABSL model background stand.
Detailed steps for assembling and securing the tripod legs for stability and proper function.
Instructions for connecting the 3' crossbar sections using a slide-and-lock mechanism.
Guide on attaching the crossbar sections to the tripod adapters using wing nuts and washers.
Steps for extending and securing the tripod legs to the desired height for backdrop support.
Instructions for attaching and detaching the male studio spigot adapter with 3/8" and 1/4" threads.
Information about the optional Ravelli ATD Tripod Dolly for easier maneuverability of stands.
Discusses potential crossbar sag and provides warnings about tripod tipping hazards and mitigation.
The Ravelli ABSL Model Background Stand is a versatile and robust system designed for professional photography and videography, offering a stable and adjustable framework for various backdrops. This stand is engineered to provide a secure and adaptable setup for a wide range of creative projects, accommodating different sizes and weights of backdrops with ease. Its design prioritizes both stability and user-friendliness, making it suitable for both studio and on-location shoots.
The primary function of the Ravelli ABSL Model Background Stand is to support photographic and video backdrops, creating a seamless and professional background for subjects. It consists of two main tripod stands and a series of crossbar sections that connect them, forming a horizontal support for backdrops. The system is highly adjustable, allowing users to modify both the height and width of the background setup to suit specific needs. The tripod stands are equipped with air-cushioned shocks, which ensure smooth and safe adjustments when raising or lowering the stand's height. This feature prevents sudden drops and potential damage to equipment or injury to users, providing a controlled and gentle movement during height adjustments.
The crossbar system is designed for modularity, allowing users to configure the width of the stand by adding or removing sections. This adaptability is crucial for accommodating various backdrop sizes, from smaller, more intimate setups to large, expansive backgrounds. The connection points for the crossbars are engineered for secure attachment, ensuring that the backdrop remains taut and stable throughout the shoot. Additionally, the tripod stands feature reversible male studio spigot adapters, which expand the stand's utility beyond just holding backdrops. These adapters allow for the attachment of other photographic equipment, such as strobe lights, continuous lights, or other accessories, directly to the stand. This multi-functional design makes the Ravelli ABSL stand a central piece of equipment in a photographer's kit, capable of supporting a comprehensive lighting and background setup.
Setting up the Ravelli ABSL Model Background Stand is designed to be intuitive and efficient. The tripod stands come with all knobs tightened when removed from the carry bag. To set up, users first loosen the knob on the leg brace, pull the legs outward from the center pole, and then push down on the top of the brace while holding the center pole. This action extends the legs fully, after which the leg knob is tightened to lock them in place. This process ensures a wide and stable base for the stand.
Adjusting the height of the tripod stands is achieved by loosening the height adjustment knobs and pulling the sections upward to the desired height. The air-cushioned shocks facilitate a smooth and controlled extension, preventing rapid collapse. For full extension, it is recommended to first extend the top section, then the middle, and finally the bottom, tightening the corresponding knobs at each stage. If any collar sections feel wobbly or if the height adjustment knob isn't sufficient to hold the section, users can loosen the knob and ensure the set screw (allen screw) is tightened down.
The crossbar system is equally user-friendly. It comprises multiple 3-foot sections, each with a male and a female end, designed for a slide-and-lock connection. Users simply slide the silver male end into a female end and then turn the poles approximately 90 degrees until a lock is felt and arrows on stickers align. This ensures a secure and rigid connection between crossbar sections. The modular nature of the crossbars allows for variable widths, from a minimum of two sections to a maximum of five, catering to different backdrop dimensions.
Attaching the assembled crossbar to the tripods involves unscrewing and removing the wing nut and washer from the reversible adapter on top of each tripod. The crossbar, which has a hole on one side, is then slid onto the screw, followed by the washer, and finally the wing nut is screwed back on and tightened securely. This method ensures a firm attachment of the crossbar to the support stands.
The reversible male studio spigot adapter is a key feature for versatility. It has both 3/8" and 1/4" screw threads, making it compatible with a wide range of lighting and photographic equipment. To remove the adapter, users loosen the knob, press a push button, and pull the adapter upward. This allows for quick changes between different accessories.
For enhanced mobility, optional Ravelli ATD Tripod Dollies can be used. These heavy-duty dollies attach to the tripod legs, allowing the entire background stand to be easily moved around a studio or set. They feature smooth-rolling rubber wheels with metal ball bearings and a one-step lock on each wheel for secure positioning.
To ensure the longevity and safe operation of the Ravelli ABSL Model Background Stand, regular inspection and maintenance are recommended. Upon receiving the product, users should inspect all joints, knobs, and rivets to ensure they are intact and free from damage. Any issues should be reported immediately. The Allen set screw that holds the center pole may need occasional adjustment for tightness to ensure the center pole remains securely in place. This screw is located near the bottom of the center pole.
When using the stands, it is important to avoid overtightening the knobs or applying excessive force to the poles, as this can cause damage, making them difficult to extend or collapse. The air cushion cap at the bottom of the center pole should always be securely in place. This cap is vital for the air-cushioned shock system, preventing height sections from crashing down. If the cap falls out, it should be reinserted, and if the problem persists, a small amount of glue can be used to secure it.
Before connecting crossbar sections, users should ensure that both male and female ends are clean and free of debris. It is also important to inspect the poles for any bends or presses that could hinder easy attachment and detachment. When connecting crossbars, users should only turn them 90 degrees as indicated by stickers to avoid jamming the sections.
A critical aspect of maintenance and safe usage involves awareness of potential tipping risks. When the tripods are fully extended or when heavy equipment like strobe lights are mounted, or if the stand is moved while extended, there is a risk of tipping. To mitigate this, it is recommended to position one tripod leg facing the same direction as the backdrop or towards the heavy part of mounted equipment to balance the weight. Purchasing sandbags or weights to place on the tripod legs is also highly recommended to provide additional stability, especially in outdoor settings or on uneven surfaces. This proactive approach to stability is essential for protecting equipment, backdrops, and ensuring the safety of personnel.
General| Type | Light Stand |
|---|---|
| Material | Aluminum |
| Color | Black |
| Height Adjustment | Yes |
| Number of Shelves | Not applicable |
| Minimum Height | 1.2 m |
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