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MFX List
41 Mod Delay (Modulation Delay)
Adds modulation to the delayed sound.
When Feedback Mode is CROSS:When Feedback Mode is NORMAL:
R outR out
L outL out
2-Band 2-Band
EQEQ
2-Band 2-Band
EQEQ
Balance W
Feedback
Feedback
Balance D
Balance D
L inL in
DelayDelay ModulationModulation
DelayDelay ModulationModulation
R inR in
Balance W
R outR out
L outL out
2-Band 2-Band
EQEQ
2-Band 2-Band
EQEQ
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L inL in
DelayDelay ModulationModulation
DelayDelay ModulationModulation
R inR in
Parameter Value Explanation
Dly L Sync
OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
DL.Time
1–1300 Adjusts the time until the left delay sound is heard.
DLTime Nt
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Dly R Sync
OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
DR.Time
1–1300 Adjusts the time until the right delay sound is heard.
DRTime Nt
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Fbk Mode
NORMAL, CROSS
Selects the way in which delay sound is fed back into the eect (See the
gures above).
Feedback
-98–+98 [%]
Adjusts the proportion of the delay sound that is fed back into the eect
(Negative values invert the phase).
HF Damp
Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to
lter out any high frequencies, set this parameter to BYPASS.
200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
[Hz]
Rate Sync
OFF, ON If this is ON, the rate synchronizes with the tempo of the rhythm.
Rate
0.05–10.00 [Hz] Frequency of modulation
Rate Note
Note
1/64T, 1/64, 1/32T, 1/32, 1/16T, 1/32., 1/16, 1/8T, 1/16., 1/8, 1/4T, 1/8., 1/4,
1/2T, 1/4., 1/2, 1T, 1/2., 1, 2T, 1., 2
Depth
0–127 Depth of modulation
Phase
0–180 [deg] Spatial spread of the sound
Low Gain
-15–+15 [dB] Amount of boost/cut for the low-frequency range
High Gain
-15–+15 [dB] Amount of boost/cut for the high-frequency range
Balance
D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)
Level
0–127 Output Level