Roland JP-8080 - Page 17

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Default Chapter2
- Important Safety Instructions2
Using Thr Unit Safely3
- Table of Contents4
Main Features11
Front and Rear Panel12
- Control Section13
Important Notes15
Printing Conventions in this Manual16
Performances/Patches for the Explanation of the Functions16
Step 1. Playing the Sounds18
Connections18
Turning on the Power19
- Turning off the Power20
Restoring the Factory Settings (Factory Reset)20
Listening to the Demo Songs21
MIDI Channel Settings22
Playing the Sounds23
- Using the Preview Function24
Step 2. Modifying the Sound25
Selecting the Basic Waveform for the Sound (Waveform)25
- Using the External Inputs26
Making the Sound Brighter/Darker (Cutoff Frequency)28
Adding Character to the Sound (Resonance)28
Modulating the Sound (LFO 1)29
Adjusting the High and Low Tone (Tone Control)30
Broadening the Sound (Multi Effects Level)30
Adding an Echo Effect (Delay)31
Storing a Performance32
Step 3. Shortcuts! Convenient Functions of the JP-808035
Using Voice Modulator35
- Producing an Effect as Though an Instrumental Sound Were Talking (Formant Filter)35
- Adjusting the Volume of each Frequency Range to Create a New Sound (Filter Bank)36
Producing Arpeggios When Chords Are Played (Arpeggiator)36
Playing Patterns with One Finger (RPS)38
- Preparing to Create Patterns (Pattern Clear)39
- Recording a Pattern40
- If You Make a Mistake While Recording42
Easily Controlling Complex Tonal Changes (Motion Control)44
- Preparing to Record a Motion (Clearing a Motion)45
- Recording a Motion46
- If You Make a Mistake While Recording48
Playing Two Sounds at Once (Key Mode)50
- Playing Just One Patch (Single)50
- Playing Two Patches from each Key (Dual)51
- Playing Different Patches in the Left and Right Keyboard Areas (Split)51
- Demo Song List52
Chapter 1. Overview of the JP-808054
How the JP-8080 Is Organized54
Patches and Performances55
About Memory56
Chapter 2. Sound Selecting and Editing Procedure59
Selecting a Performance59
- Selecting Performances from an External Device60
- Selecting a Key Mode60
Selecting a Patch61
- Copying the Upper Patch to the Lower61
- Selecting Patches from an External Device62
Editing a Patch63
- Checking the Current Value of a Parameter (Temporary Scope)63
- Edit While Viewing the Slider/Knob Values (Edit Scope)64
- Resetting the Sound to the Panel Settings (Manual)65
Playing Sounds Using the JP-8080 Alone (Preview)65
Chapter 3. Functions that Modify the Sound66
Selecting the Basic Waveform for the Sound (1) (Oscillator 1)66
Selecting the Basic Waveform for the Sound (2) (Oscillator 2)68
- Using the External Inputs70
Modifying the Waveform and Pitch of the Sound71
- OSC COMMON (Oscillator Common) Section71
- PITCH ENVELOPE Section72
- Lfo 1 & Env Destination72
Modifying the Brightness73
- FILTER Section73
- Key Follow74
- FILTER ENVELOPE Section75
Modifying the Volume76
- AMP (Amplifier) Section76
- AMP ENVELOPE (Amplifier Envelope) Section76
Modulating the Sound (LFO 1)77
Maiking Effect Settings (Effects)78
- Adjusting the High and Low Tone (Tone Control)78
- Adding Spaciousness and Depth to the Sound (Multi Effects Level)78
- Adding an Echo Effect (Delay)79
Chapter 4. Taking Advantage of the Performance Functions80
Playing Single Notes (solo Switch)80
- Solo Switch On/Off80
- Thickening the Unison Sound (Unison Detune)80
- Playing Analog Synthesizer-Like Solos (Envelope Type in Solo)81
Using Key Dynamics to Affect Parameters (Velocity)81
- Velocity On/Off82
- Specifying the Width of Parameter Change82
- Canceling the Settings of a Parameter83
- Canceling the Settings of All Parameters83
Controlling Multiple Parameters Simultaneously (Control Assign)84
- Specifying the Width of Parameter Change84
- Modifying Th Pitch (Morph Bend Assign Switch)85
- Canceling the Settings of a Parameter86
- Canceling the Settings of All Parameters86
- Control Using MIDI Messages Other than Aftertouch and Breath (Control Up/Down)86
Adding Cyclic Change (MODULATION (LFO 2))87
Smoothly Changing the Pitch between Notes (Portamento)88
Transposing Your Performance (Part Transpose)88
Changing the Pitch (Bend Range Up/Down)89
Chapter 5. Producing Arpeggios When Chords Are Played (Arpeggiator)90
Playing Arpeggios90
- Settings for Playing90
- Changing the Beat of the Arpeggio (Arpeggio Beat Pattern)91
- Selecting the Part for Arpeggiation in Dual Mode (Arpeggio Destination)91
Chapter 6. Playing Original Patterns with One Finger (RPS)92
Playing Patterns92
- Settings for Playing92
- Setting the Timing at Which Patterns will Switch (Pattern Trigger Quantize)93
- Playing a Pattern that was Saved on a Memory Card93
Recording a Pattern94
- Settings for Recording94
- Recording a Pattern95
- Erasing Unwanted Notes96
- Copying a Pattern97
- Erasing a Pattern97
Chapter 7. Easily Controlling Complex Tonal Changes (Motion Control)98
Playing Back a Motion98
- Moving Sliders or Knobs While Playing Back Motions99
- Playing Back a Motion from the Beginning each Time a Key Is Pressed (Motion Restart)99
- Switching Motion Sets99
Recording a Motion100
- Settings for Recording100
- Erasing the Movement of a Slider or a Knob102
- Erasing a Motion102
Chapter 8. Using Voice Modulator103
How Voice Modulator Work103
- Internal Structure of the JP-8080104
  - Ext->Vocal Send105
  - Ext->Inst Send105
Setting up the Voice Modulator for Immediate Use (Voice Modulator Initialize)106
- MIC Jack106
- Ext in Jacks106
- Types of Voice Modulator Initialize107
Making Voice Modulator Settings in Edit Mode108
- Setting the Type of the Formant Filter/Filter Bank (Algorithm)108
- Changing the Parameter Assigned to [CONTROL 1]/[CONTROL 2]109
- Setting the Switches109
- Making Voice Modulator Delay Settings109
- Making Ensemble Settings110
- Making Vocal Morph Control Settings111
Controlling Voice Modulator Parameters in Realtime111
- Use Panel Select to Select the Voice Modulator Panel111
- Types of Voice Modulator Parameters111
Chapter 9. Other Settings115
Settings for the Entire Performance (Performance Common)115
- Create a Pitch Difference between Parts (Part Detune)115
- Output Destination for each Part (Output Assign)115
- Setting the Number of Voices for each Part (Voice Assign)116
- Setting the Split Point116
- Starting an Individual Envelope While a Key Remains Pressed (1) (Individual Trigger)116
Settings for each Part (Performance Part)118
- Setting the MIDI Channel for each Part118
- Synchronizing Chorus Modulation to the Tempo/Lfo 1 (Chorus Sync)119
- Synchronizing Delay Time to the Tempo (Delay Sync)119
- Synchronizing LFO 1 Rate to the Tempo (LFO Sync)120
Making Settings for each Patch (Patch)120
- Increasing the Volume of a Specific Patch (Patch Gain)121
- Starting an Individual Envelope While a Key Remains Pressed (2) (External Trigger)121
MIDI Settings (MIDI)122
- Local Switch122
- MIDI Sync123
Making Overall Settins (Setup)125
- Setting the LCD Contrast125
- Master Tuning126
- Setting the Power-On Condition (Power up Mode)126
Chapter 10. Saving Your Settings127
Storing a Performance/Patch127
- Assigning a Name127
- Saving Data128
Using a Memory Card (Smartmedia)128
- Before Using a Memory Card128
- Formatting a Memory Card129
- Saving to a Memory Card129
- Erasing a Pattern/Motion that was Saved on a Memory Card133
- Restoring Saved Settings to the JP-8080134
Saving Settings on an External Sequencer (Bulk Dump)137
- Procedure137
- Types of Bulk Dump137
- Restoring Saved Settings to the JP-8080138
Chapter 11. Setting Sounds to Basic Values (Initialize)140
- Restoring the Factory Settings (Factory Reset)140
Setting Performances/Patches to Basic Values (Initialize)140
- Types of Factory Reset141
- Returning Only a Specific User Performance or User Patch to the Factory Settings141
- Performance Parameters142
Chapter 12. Example Applications144
Synchronizing to an External MIDI Device144
- Synchronizing Arpeggios, Patterns, or Motions144
- Synchronizing Chorus, Delay, LFO 1, Ensemble, or Voice Modulator Delay144
Recording a Performance on an External Sequencer145
- Settings for Recording145
- Recording Procedure146
Various Ways to Use Voice Modulator146
- Inputting an External Sound Directly into the Voice Modulator146
- Inputting an External Sound Synthesized on the JP-8080 into the Voice Modulator147
Using the JP-8080 with the MC-505149
Sound-Creating Tips152
Bass (1)152
Bass (2)153
Tb-303154
Strings155
Sweep Pad156
Synth Brass157
Synth Kick Drum158
Tubular Bells159
Electric Piano160
Organ161
Synth Voice162
Morphing163
Understanding Sound165
The Basics of Sound165
- The Three Elements of Sound165
- Partials165
- Time-Variant Changes in the Sound (Envelope)166
Adding Expression to Sound167
- Using the LFO167
- Effects167
What Is MIDI168
MIDI Connectors168
MIDI Channels168
Main MIDI Messages Used by the JP-8080168
- Channel Messages168
- System Messages169
Troubleshooting170
Error Messages174
Performance List176
Patch List179
Parameter List182
- Patch Parameters182
- Performance Common Parameters184
- Performance Part Parameters186
- System Parameters186
- Recording Parameters187
Transmit/Receive Setting List188
Voice Modulator Initialize Setting List189
MIDI Implementation191
- Program Change193
- System Exclusive Messages194
- Control Change194
MIDI Implementation Chart208
Specifications209
- Key Mode209
- Maximum Polyphony209
Index211
Blank Chart217

Roland JP-8080 - Page 17

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