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General| Brand | Spirit |
|---|---|
| Model | 328 |
| Category | Music Mixer |
| Language | English |
Explains the fundamental differences between analog and digital audio signal representation.
Details the critical factors of bit depth and sample rate for digital audio quality.
Describes the technique of dithering to preserve audio quality when reducing bit depth.
Discusses setting input levels in digital systems to avoid distortion and clipping.
Explores trends and advancements in digital audio technology and computer integration.
Highlights the 328's high-quality converters and internal 56-bit processing for audio fidelity.
Explains the advantage of maintaining audio in the digital domain to preserve quality.
Discusses how digital mixers offer enhanced control and features like automation.
Details the 328's stereo and multi-channel digital I/O options for connectivity.
Explains integrating the 328 with computer PCI cards for recording and production.
Compares snapshot and dynamic automation methods for mix control.
Describes the E-strip's function as an intuitive control interface for mixer parameters.
Explains the query system for easy checking and assignment of routing and settings.
Discusses how fader response is tailored for optimal control and user experience.
Guides on selecting a master device for synchronizing digital audio systems.
Explains the role of timecode synchronization for devices and automation.
Details connecting the 328 to digital multitrack recorders like DA88s.
Describes connecting the 328 to analogue multitrack recorders via breakout boxes.
Explains routing audio to tape using group facilities or direct channel outputs.
Provides guidance on recording various instruments, including keyboards and drums.
Offers tips for recording electric guitars, including DI boxes and mic techniques.
Gives advice on recording vocals, including mic placement and compression.
Discusses recording stereo keyboard parts and using stereo digital inputs.
Guides the process of mixing recorded tracks to a stereo master.
Explains how to use the internal and external effects processors for sound enhancement.
Describes the application of internal dynamics processors for compression and gating.
Details how to use snapshot and dynamic automation for mix changes.
Covers setting up stereo outputs for digital and analogue recording media.
Explains custom mixer maps for integrating sequencers with the 328.
Describes cascading two 328 units for expanded input and fader count.
Answers how many external digital recorders can be connected simultaneously.
Clarifies the availability and routing options for digital auxiliary sends.
Explains how to digitally connect CD and DAT recorders to the mixer.
Details the specifications and capabilities of the 328's UltraMic Plus preamps.
Describes the process of assigning channels to group outputs.
Explains how to set auxiliary sends to be pre or post fader globally.
Lists the console parameters that can be controlled via automation.
Describes the non-destructive editing capabilities of the Undo/Redo system.
Provides steps to diagnose why input channels are not outputting sound.
Offers solutions for channels producing unexpected or incorrect audio.
Addresses common audio artifacts like pops, clicks, and distortion on digital inputs.
Explains how to correctly route channels in stereo through groups to the mix.
Troubleshoots issues where fader and control moves are not captured by the sequencer.
Solves problems with faders jumping erratically during dynamic automation.
Provides contact information and website address for additional resources.
Outlines the publication's copyright and terms for copying and distribution.
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