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General| Brand | TL Audio |
|---|---|
| Model | M4 |
| Category | Music Mixer |
| Language | English |
Details balanced XLR socket, phantom power, gain range, and noise specifications.
Specifies balanced TRS jack socket, impedance, gain range, and maximum input level.
Explains the phase reversal function for mic and line inputs.
Describes the low cut filter at 90Hz for rumble reduction.
Outlines the frequency response from line input to track output.
States the typical distortion percentage for the unit.
Provides noise level specifications for line input to track output.
Details the 4-band EQ with shelving LF/HF and peaking LM/HM controls.
Describes balanced send/return TRS jacks and insert switches.
Explains channel direct out and track 'Pre EQ' switch functionality.
Details the 100mm 'K' Series fader, mute, PFL, routing, and LED indicators.
Describes balanced mix busses, insertion points, master faders, and XLR outputs.
Explains the 4 auxiliary sends, pre/post fader options, and level controls.
Details the XLR talkback socket and routing switches.
Describes the two balanced stereo returns with faders and balance controls.
Explains monitor outputs, level control, PFL switching, and headphone output.
Details the external 2U rack mounting supply and power requirements.
Discusses optional digital output modules for ADAT and SPDIF formats.
Provides console dimensions, including depth, height, and lengths for different channel counts.
Clarifies distortion measurement methodology, focusing on tube-generated second harmonic.
Explains how to select between microphone and line inputs on each channel strip.
Guides on setting gain for optimal signal-to-noise ratio and headroom.
Provides guidance on setting gain for line inputs, which are hotter sources.
Details connecting microphones, setting gain, and using phantom power.
Explains the function and use of the phase reverse switch on inputs.
Describes the low cut filter's purpose in reducing rumble and pops.
Explains the 30dB pad for reducing input gain with sensitive microphones.
Details the 4-band EQ, its bands, frequencies, and boost/cut controls.
Explains how to use and bypass insert points pre or post EQ.
Describes the 4 aux sends, pre/post fade options, and their typical uses.
Explains setting direct output levels and the 'Pre EQ' option.
Details positioning audio image within the stereo field.
Explains how to mute channels using the dedicated switch and LED indicators.
Describes the Pre Fade Listen function for monitoring incoming sources.
Explains the role of the 100mm channel fader in controlling signal level.
Explains the function of the yellow Drive and red Peak LEDs for signal monitoring.
Describes the two 100mm faders controlling the stereo mix output level.
Details rotary master level controls and PFL switches for aux sends.
Explains the two stereo effects returns, their controls, and usage.
Describes monitor outputs, level control, and headphone output functionality.
Explains adjusting PFL signal level relative to the main stereo monitor level.
Explains monitoring master machine output for confirmation during recording.
Describes the switch for muting rear panel monitor output, useful with headphones.
Details VU meters and Peak LEDs for monitoring stereo output and PFL buss.
Discusses optional DO8 (ADAT) and DO2 (SPDIF) digital output cards.
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