The Providence® SOV-2 Stampede OD pedal is designed to
deliver natural overdrive without obscuring the inherent
characteristics and tone of the guitar being used. It features a
special bipolar power supply that powers the internal circuitry
with boosted voltage, providing a wider dynamic range than
possible with conventional 9-volt powered overdrives. For
singing lead tones and solid, chunky rhythms, there’s nothing
like the SOV-2 Stampede OD.
Gain: Controls the overdrive amount
Tone: Controls the eect tone
Volume: Controls the eect output
The unique asymmetric overdrive eect circuit adds warm and
pleasant overdrive eect to the traditional guitar timbre.
Based on Tube Screamer® Style overdrive pedal, with unique
timbre characteristics.
Gain: Controls the overdrive amount
Tone: Controls the eect tone
Volume: Controls the eect output
Fat: Switches extra resonance on/o
Air: Switches extra presence on/o
Whether it's warm and natural overdrive or full open distortion,
it gives your guitar the most expression, makes it easy to control
the tone, and allows for subtle variations in your personal
playing style.
Gain: Controls the distortion amount
Tone: Controls the eect tone
Volume: Controls the eect output
Fulltone® OCD* sounds like finding the “sweet spot” on your
favorite amp. It produces overdriven tones that sound warm and
full, with genuine tube-like response. There’s no shortage of
usable drive, meaning it dynamically ramps up overdriven grit
from dirty overtones to saturated distortion in the smooth range
of its drive control.
Gain: Controls the distortion amount
Tone: Controls the eect tone
Volume: Controls the eect output
Mode: Selects from two dierent sound
characters: HP (High Peak mode with more
bottom end and distortion), LP (Low Peak
mode without changing your original tone)
The Marshall® BluesBreaker* is a low-gain pedal with
exceptional transparent tone. Moderate overdrive and subtle
boost are the strong points, though it can get as well emphatic
with a cranked up tube amp.
Gain: Controls the distortion amount
Tone: Controls the eect tone
Volume: Controls the eect output
The EQ stage is extremely wide, oering treble, mid and bass
shaping options and the gain stage goes from clean to a well
driven JCM800 kind of tone and that is also where its magic lies.
Gain: Controls the distortion amount
Volume: Controls the eect output
Bass/Middle/Treble: 3-band EQ that
controls the eect tone
Famous users: Stevie Ray Vaughan, Joe Satriani, Paul Gilbert,
Andy Timmons, Kirk Hammett, Steve Ray Vanghan, Michal
Landau, U2
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*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products
Eect List