Valeton CP-200 - AMP Model Types

AMP
FX Title
Type
Description
Parameter Description
Tweedy
Clean
Based on Fender® Tweed Deluxe*. This amplifier with a
dynamic range from clean to wild overdrive, from country
rock to distortion, the Fender® Tweed Deluxe* has been a
totem in every style for more than 60 years.
Gain: Controls the gain amount (pre gain)
Tone: Controls the eect tone
Volume: Controls the output volume (post gain)
Bellman
59N
Clean
Based on Fender® ’59 Bassman®*. The most dramatic
speaker in the history of Rock&Roll, originally designed
for bass, has become the most classic guitar speaker.As
clear as water, Vacuum tubemakes the sound more
beautiful,make musical instrument manufacturers are
eager to imitate the product.
Gain: Controls the gain amount (pre gain)
Presence: Controls the eect headroom
Volume: Controls the output volume (post gain)
Bass/Middle/Treble: 3-band EQ that controls the
eect tone
Famous users: Stevie Ray Vaughan,
Kurt Cobain
Bellman
59B
Drive
Based on Fender® ’59 Bassman®*.
Dark Twin
Clean
Based on Fender® ’65 Twin Reverb®*. With a
Stratocaster*, the classic sound can be easily restored in
both country jazz and rock music.
Gain: Controls the gain amount (pre gain)
Volume: Controls the output volume (post gain)
Bass/Middle/Treble: 3-band EQ that controls the
eect tone
Bright: Switches extra brightness on/o
Dark DLX
Clean
Great clean tones are possible, but the versatile "sweet
distortion" is what so many guitarists appreciate and love
with the Deluxe. Therefore the amp is the number 1 for
many blues musicians, as well as for modern super
guitarrists. The fender-typical spring reverb and a tube
vibrato eect allow even more "vintage"- sound variants.
Gain: Controls the gain amount (pre gain)
Volume: Controls the output volume (post gain)
Bass/Treble: 2-band EQ that controls the eect
tone
Dark Vibra
Clean
The original (6G16 circuit) Vibroverb was introduced in
February 1963. The speaker lineup and the output
transformer were based on the Fender Super amp of the
time and the circuit based on the Fender Vibrolux of the
time. The 40-watt amplifier boasted two channels
(NORMAL and BRIGHT). Both channels had VOLUME,
TREBLE and BASS controls; the single-control REVERB
aected only the BRIGHT channel.
Gain: Controls the gain amount (pre gain)
Volume: Controls the output volume (post gain)
Bass/Treble: 2-band EQ that controls the eect
tone
Bright: Switches extra brightness on/o
Silver Twin
Clean
Fender® Silverface Twin Reverb* amplifiers were built
between 1967 and 1981. It makes the sound of history.
Gain: Controls the gain amount (pre gain)
Volume: Controls the output volume (post gain)
Bass/Middle/Treble: 3-band EQ that controls the
eect tone
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*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products
Eect List