120 CHAPTER 14
The Parameters
HIGH+FLW The high-pass filter
with keyfollow; the cutoff fre-
quency follows the played pitch.
To reiterate the point, the amount
of distortion, intensity of the DSP
effects, and the cutoff frequencies
of the 1- pole filter are controlled
via the OSC VOL knob.
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1 SATURATION
Curve Off≤
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Filter-1 ENV POLARITY Switches
back and forth between positive
(POS) and negative (NEG) ENV
AMOUNTs for Filter-1 (see appropri-
ate section).
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1 Filter-1
EnvPolarity Pos≤
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FILTER-2 ENV POLARITY Switches
back and forth between positive
(POS) and negative (NEG) ENV
AMOUNTs for Filter-2 (see appro-
priate section).
FILTER-2 CUTOFF LINK Switches the
knob and the parameter CUTOFF 2
(see appropriate section) back and
forth between two operating
modes:
ON In this mode, CUTOFF 2
operates relatively to the CUTOFF
knob value rather than absolutely
(OFFSET): The cutoff frequency of
the second filter is - like the first
filter - determined by the CUTOFF
value. However you can dial in an
offset (relative ascending or
descending deviation) of the fre-
quency via the CUTOFF 2 knob. At
the center position (12 o’clock) of
CUTOFF 2, the frequencies of the
two filters are identical.
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