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Basic guidelines for operating and storing the device in enclosed rooms.
Instructions for safely connecting the device to power and audio systems.
Guidelines for safe usage, including volume levels and liquid precautions.
Information on replacing the battery-buffered RAM for sound programs.
Instructions on how to clean and maintain the device properly.
Details the device's intended use and warranty limitations.
An overview of the Virus synthesizer's core features and functionality.
Detailed steps for connecting the Virus to audio and MIDI systems.
Instructions on how to safely turn the Virus device on and off.
Guide to playing and evaluating the pre-loaded factory sound programs.
How to access and audition the Virus's multi-sound combinations.
A step-by-step guide to creating and editing a basic sound.
Details the parameters for LFO 1, covering RATE, SHAPE, CONTOUR, and KEY FOLLOW.
Lists the various parameters within the Virus that can be modulated by LFOs.
Explains the parameters and functions of the third Low Frequency Oscillator (LFO 3).
Explains how to use LFOs in envelope mode for single-cycle modulation.
Allows selection between polyphonic and monophonic modes for LFO operation.
Enables LFOs to restart their wave cycle at the beginning of each note.
Describes how to trigger LFO cycles externally using MIDI controllers.
Explains how LFOs can modulate the filter section's input level, affecting distortion.
Explains the parameters and functions of the second Low Frequency Oscillator (LFO 2).
Details how to adjust the sound program's volume and panorama settings manually.
Enables comparison of edited sounds with their original stored versions before saving.
Details the process of saving current SINGLE programs, MULTI programs, or PART data.
Mode for using external signals with envelopes and pitch control, enabling gater effects.
Mode using external signals without note triggering, disabling synth functions for effects processing.
Routes external audio signal directly to the effects section, bypassing synth voices.
Controls the input signal level via OSC VOL, affecting the filter and saturation stages.
Adjusts input gain and boost level for external audio inputs, with options for microphone or phono.
Explains how RATE LEDs of LFOs indicate external audio input levels and signal overload.
Resets stuck notes and controllers by simultaneously pressing POWER and STORE buttons.
Allows triggering notes (C3) directly from the panel without a keyboard.
Resets the system to default settings to resolve instability issues.
Hides or shows rarely used parameters to simplify the interface and enhance usability.
Explains parameters for Oscillator 1, such as SHAPE, WAVE SEL/PW, and SEMITONE.
Explains parameters for Oscillator 2, including SHAPE, WAVE SEL/PW, SEMITONE, and DETUNE.
Menu parameters for Oscillator 1, including WAVE selection and KEY FOLLOW pitch control.
Controls the intensity of keyboard pitch control for the oscillator, with detailed settings.
Controls the volume level and waveshape (SQUARE/TRIANGLE) of the sub-oscillator.
Parameters for the ring modulator, controlling its volume and interaction with oscillators.
Controls the sound character of the noise generator, affecting frequencies and bass emphasis.
Sets the cutoff frequency for Filter-1 and 2, with exceptions for CUTOFF 2.
Controls the relative cutoff frequency of Filter-2, subordinate to CUTOFF.
Adjusts the resonance or Q factor of the filters, affecting frequency response.
Controls the modulation intensity of the filter envelope on cutoff frequency.
Parameters for Filter 1, including KEY FOLLOW for pitch tracking and filter modes (LP, HP, BP, BS).
Parameters for Filter 2, including KEY FOLLOW, MODE, and CUTOFF LINK settings.
Parameters related to filter slope variations, balance between filters, and routing options.
Parameters for shaping the filter envelope: ATTACK, DECAY, SUSTAIN, TIME, and RELEASE.
Controls for LFO 1, including RATE, SHAPE, CONTOUR, and KEY FOLLOW parameters.
Controls LFO synchronization to the master clock or specific note values.
Sets the LFO mode to polyphonic or monophonic, affecting voice modulation.
Activates envelope-like behavior for LFOs, cycling once per note.
Sets the starting phase of the LFO wave cycle when triggered by a note.
Parameters for the Chorus effect: RATE, DEPTH, DELAY, and FEEDBACK.
Splits the modulator signal into bandpass filters to create slices of the frequency spectrum.
Measures modulator bank output levels to create control signals for the carrier bank.
Treats the carrier signal similarly to the modulator, controlled by envelope followers for filter levels.
Adjusts the vocoder's output level, independent of the assigned signal source.
Assigns the input source for the modulator bank when the vocoder is activated.
Shifts modulator bank frequencies relative to carrier bank for pitch shifting and 'mickey mouse' effects.
Controls the quality (resonance) of the filter bands, affecting the carrier signal's reproduction.
Explains MULTI SINGLE mode as an alternative view of MULTI mode for easier sequencer work.
Explains how to reset parameters to their original values using the VALUE buttons.
Explains how to route external signals to the Virus's sound components and vocoder.
Controls the input signal level via OSC VOL, affecting the filter and saturation stages.
Adjusts the global DELAY/REVERB effect signal level, independent of the dry signal.
Describes using the Virus as an external effect device by connecting its inputs to auxiliary sends.
Explains pulse width modulation using LFOs and DETUNE for beat oscillations.
Explains Oscillator Sync and Frequency Modulation (FM) using Oscillator 1 as the primary frequency source.
Describes using cascaded 12-dB filters for 24-dB or 36-dB slopes, affecting Q factor.
Morphs smoothly between filter slopes (12, 24, 36 dB/oct) using the FILT BALANCE parameter.
Explains using SATURATION between filters and OSC VOL for gain control of the distortion module.
Describes the Shaper's unique sine-wave saturation response and its dependence on input signal.
Explains how to use LFOs in envelope mode for single-cycle modulation.
Sets the master volume for the SINGLE program, stored with the sound program.
Sets the volume level for MULTI-PARTs, stored with the MULTI program.
Allows temporary volume changes via sequencer or pedal; not stored with program.
Auditions and loads sound banks from a sequencer, with options to FORCE TO EDIT BUFFER or BANK.
Explains SysEx parameter organization into pages, addressing, and message structure for MIDI automation.
Defines Control Change messages for Page A parameters, including status byte, channel, number, and value.
Defines Polyphonic Pressure messages for Page B parameters, including status byte, channel, number, and value.
Details the structure of System Exclusive messages, including start, manufacturer/product IDs, device ID, and end.
Explains how SysEx Parameterchange affects edit buffers and global parameters, with examples.
SysEx message format for dumping single sounds, edit buffers, or entire banks.
SysEx message format for dumping multi programs, multi edit buffers, or multi banks.
SysEx message format for requesting single sounds, edit buffers, or entire banks.
SysEx message format for requesting multi programs, multi edit buffers, or multi banks.
SysEx message format for requesting a specific single bank (A, B, C, or D).
SysEx message format for requesting multi banks.
SysEx message format for requesting arrangement data, including PART enablement.
SysEx message format for requesting global parameters not stored with single or multi programs.
SysEx message format for requesting all data, including single programs, multis, and global parameters.
SysEx message format for requesting controller dump data, specifying part number.
Basic guidelines for operating and storing the device in enclosed rooms.
Instructions for safely connecting the device to power and audio systems.
Guidelines for safe usage, including volume levels and liquid precautions.
Information on replacing the battery-buffered RAM for sound programs.
Instructions on how to clean and maintain the device properly.
Details the device's intended use and warranty limitations.
An overview of the Virus synthesizer's core features and functionality.
Detailed steps for connecting the Virus to audio and MIDI systems.
Instructions on how to safely turn the Virus device on and off.
Guide to playing and evaluating the pre-loaded factory sound programs.
How to access and audition the Virus's multi-sound combinations.
A step-by-step guide to creating and editing a basic sound.
Details the parameters for LFO 1, covering RATE, SHAPE, CONTOUR, and KEY FOLLOW.
Lists the various parameters within the Virus that can be modulated by LFOs.
Explains the parameters and functions of the third Low Frequency Oscillator (LFO 3).
Explains how to use LFOs in envelope mode for single-cycle modulation.
Allows selection between polyphonic and monophonic modes for LFO operation.
Enables LFOs to restart their wave cycle at the beginning of each note.
Describes how to trigger LFO cycles externally using MIDI controllers.
Explains how LFOs can modulate the filter section's input level, affecting distortion.
Explains the parameters and functions of the second Low Frequency Oscillator (LFO 2).
Details how to adjust the sound program's volume and panorama settings manually.
Enables comparison of edited sounds with their original stored versions before saving.
Details the process of saving current SINGLE programs, MULTI programs, or PART data.
Mode for using external signals with envelopes and pitch control, enabling gater effects.
Mode using external signals without note triggering, disabling synth functions for effects processing.
Routes external audio signal directly to the effects section, bypassing synth voices.
Controls the input signal level via OSC VOL, affecting the filter and saturation stages.
Adjusts input gain and boost level for external audio inputs, with options for microphone or phono.
Explains how RATE LEDs of LFOs indicate external audio input levels and signal overload.
Resets stuck notes and controllers by simultaneously pressing POWER and STORE buttons.
Allows triggering notes (C3) directly from the panel without a keyboard.
Resets the system to default settings to resolve instability issues.
Hides or shows rarely used parameters to simplify the interface and enhance usability.
Explains parameters for Oscillator 1, such as SHAPE, WAVE SEL/PW, and SEMITONE.
Explains parameters for Oscillator 2, including SHAPE, WAVE SEL/PW, SEMITONE, and DETUNE.
Menu parameters for Oscillator 1, including WAVE selection and KEY FOLLOW pitch control.
Controls the intensity of keyboard pitch control for the oscillator, with detailed settings.
Controls the volume level and waveshape (SQUARE/TRIANGLE) of the sub-oscillator.
Parameters for the ring modulator, controlling its volume and interaction with oscillators.
Controls the sound character of the noise generator, affecting frequencies and bass emphasis.
Sets the cutoff frequency for Filter-1 and 2, with exceptions for CUTOFF 2.
Controls the relative cutoff frequency of Filter-2, subordinate to CUTOFF.
Adjusts the resonance or Q factor of the filters, affecting frequency response.
Controls the modulation intensity of the filter envelope on cutoff frequency.
Parameters for Filter 1, including KEY FOLLOW for pitch tracking and filter modes (LP, HP, BP, BS).
Parameters for Filter 2, including KEY FOLLOW, MODE, and CUTOFF LINK settings.
Parameters related to filter slope variations, balance between filters, and routing options.
Parameters for shaping the filter envelope: ATTACK, DECAY, SUSTAIN, TIME, and RELEASE.
Controls for LFO 1, including RATE, SHAPE, CONTOUR, and KEY FOLLOW parameters.
Controls LFO synchronization to the master clock or specific note values.
Sets the LFO mode to polyphonic or monophonic, affecting voice modulation.
Activates envelope-like behavior for LFOs, cycling once per note.
Sets the starting phase of the LFO wave cycle when triggered by a note.
Parameters for the Chorus effect: RATE, DEPTH, DELAY, and FEEDBACK.
Splits the modulator signal into bandpass filters to create slices of the frequency spectrum.
Measures modulator bank output levels to create control signals for the carrier bank.
Treats the carrier signal similarly to the modulator, controlled by envelope followers for filter levels.
Adjusts the vocoder's output level, independent of the assigned signal source.
Assigns the input source for the modulator bank when the vocoder is activated.
Shifts modulator bank frequencies relative to carrier bank for pitch shifting and 'mickey mouse' effects.
Controls the quality (resonance) of the filter bands, affecting the carrier signal's reproduction.
Explains MULTI SINGLE mode as an alternative view of MULTI mode for easier sequencer work.
Explains how to reset parameters to their original values using the VALUE buttons.
Explains how to route external signals to the Virus's sound components and vocoder.
Controls the input signal level via OSC VOL, affecting the filter and saturation stages.
Adjusts the global DELAY/REVERB effect signal level, independent of the dry signal.
Describes using the Virus as an external effect device by connecting its inputs to auxiliary sends.
Explains pulse width modulation using LFOs and DETUNE for beat oscillations.
Explains Oscillator Sync and Frequency Modulation (FM) using Oscillator 1 as the primary frequency source.
Describes using cascaded 12-dB filters for 24-dB or 36-dB slopes, affecting Q factor.
Morphs smoothly between filter slopes (12, 24, 36 dB/oct) using the FILT BALANCE parameter.
Explains using SATURATION between filters and OSC VOL for gain control of the distortion module.
Describes the Shaper's unique sine-wave saturation response and its dependence on input signal.
Explains how to use LFOs in envelope mode for single-cycle modulation.
Sets the master volume for the SINGLE program, stored with the sound program.
Sets the volume level for MULTI-PARTs, stored with the MULTI program.
Allows temporary volume changes via sequencer or pedal; not stored with program.
Auditions and loads sound banks from a sequencer, with options to FORCE TO EDIT BUFFER or BANK.
Explains SysEx parameter organization into pages, addressing, and message structure for MIDI automation.
Defines Control Change messages for Page A parameters, including status byte, channel, number, and value.
Defines Polyphonic Pressure messages for Page B parameters, including status byte, channel, number, and value.
Details the structure of System Exclusive messages, including start, manufacturer/product IDs, device ID, and end.
Explains how SysEx Parameterchange affects edit buffers and global parameters, with examples.
SysEx message format for dumping single sounds, edit buffers, or entire banks.
SysEx message format for dumping multi programs, multi edit buffers, or multi banks.
SysEx message format for requesting single sounds, edit buffers, or entire banks.
SysEx message format for requesting multi programs, multi edit buffers, or multi banks.
SysEx message format for requesting a specific single bank (A, B, C, or D).
SysEx message format for requesting multi banks.
SysEx message format for requesting arrangement data, including PART enablement.
SysEx message format for requesting global parameters not stored with single or multi programs.
SysEx message format for requesting all data, including single programs, multis, and global parameters.
SysEx message format for requesting controller dump data, specifying part number.
General| Brand | Access |
|---|---|
| Model | Virus Rack |
| Category | Synthesizer |
| Language | English |
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