OPERATION OF CONTROLS AND CONNECTIONS
1 & 2 INPUTS
There are two input jacks on the left side of the front panel. The top input is louder than the
bottom input.
The top input should be used in most cases to achieve maximum signal
-to
-noise ratio. If your instrument
puts out such a large signal that you can turn the volume control only slightly above the off position, then
you should use the second input to cut down on the signal. The
difference between the two inputs is
volume gain. Input 2 is 10 dB lower than input 1.
3 BRIGHT SWITCH
In the BRIGHT position, the treble is boosted in relation to the bass and mid-range. This enables you to
achieve a crisper sound.
4 VOLUME
The Volume control increases the volume of all frequencies and special functions equally.
5 TREBLE
The Treble control is for control of upper-range tones. The tone circuitry is of the cut and boost type as
opposed to the straight boost varieties. This control enables you to compensate more easily for most pick-
up devices. Always keep in mind that flat (or normal) is with the knob pointer straight up.
6 MID-RANGE
The Mid-
Range control is for the control of middle
-range tones. The tone circuitry is of the cut and boost
type as opposed to the straight boost varieties. This enables you to compensate more easily for most pick-
up devices. Always keep in mind that flat (or normal) is straight up. Note: This control can also be used as
part of Graphic Equalizer for frequencies between 460 to 700 Hz.
7 BASS
The Bass control is for low-range tones. The Bass tone circuitry is also of the cut and boost type. This
allows you to obtain maximum "bottom" even if the instrument is weak in Bass response. This control is
very active and when used in conjunction with the Graphic Equalizer allows you an infinite variety of tone
settings. Flat (or normal) is straight up.
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