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Adobe FRAMEMAKER 7 - Saving a document

Adobe FRAMEMAKER 7
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15
ADOBE FRAMEMAKER 7.0
Classroom in a Book
(Windows and Mac OS) Choose File > Open.
(UNIX) In the main FrameMaker 7.0 window, click Open.
2
Locate and open the Lesson01 folder that you copied to your hard drive. Select
Sample.fm in the Lesson01 folder and click Open. The document appears in a document
window.
Document window
Saving a document
FrameMaker 7.0 allows you to save files in a variety of formats. For this lesson, you will
save files as .fm, which will save them as standard FrameMaker 7.0 formatted files.
To save the file, choose File > Save As, enter the filename
Sample1.fm,
and click Save.
Yo u’ll rename and save the documents you use in the lessons so that you can return to the
unchanged originals, if you wish, without recopying them from the CD-ROM. Its good
practice to save new documents when you create them, and to save frequently when you’re
editing documents.
Color and Commercial Printing: The properties of color
Chapter 1: Color and
Commercial Printing
When you create a multi-color publication, you want
the colors in the final printed piece to match your expec-
tations as closely as possible. To accomplish this, you 
need three things: a clear understanding of color and 
how it’s displayed and printed on different devices, 
knowledge of the commercial printing process, and 
close communication with your commercial printer.
This chapter presents fundamental color and printing
concepts, defines printing terminology, and introduces 
new technologies. We also recommend browsing in your 
local library, bookstore, or graphic arts supply store for 
books on graphic arts and commercial printing. The 
more you know about printing color, the better you can 
prepare your publication.
The properties of color
Objects appear to be certain colors because of their
ability to reflect, absorb, or transmit light, which we per-
ceive as color. Our eyes are sensitive enough to per-
ceive thousands of different colors in the spectrum of 
visible light—including many colors that cannot be dis-
played on a color monitor or printed on a commercial 
printing press.
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