CARVIN ENGINEERING DATA D42, D44 Drum Mics OPERATING MANUAL
Congratulations on purchasing Carvin’s D42 and D44 drum microphones.
These mic’s are capable of handling high sound pressure levels without
distortion making them ideal for live or recording close-miking of all types
of drums and percussion instruments. They are also accurate for use in
sonic reproduction of brass, woodwind and other instruments producing
high sound fields.
FEATURES
• Cardoid pattern allows close miking to minimize bleed-through from
other drums or stage instruments.
• Up to 140dB SPL handling capacity for distortion free reproduction of
even the loudest drums.
• Transformerless moving-coil dynamic design for enhanced bass and fast
transient response.
• Zinc die-cast metal housing construction for maximum reliability.
• Solid mesh metal wind screen and adjustable stand mount.
• Small, low-profile design for minimum visibility and close
miking placement around the drum kit.
• Gold plated XLR connectors for maximum conductivity.
• Full frequency response for sonic punch with exceptional clarity.
SPECIFICATIONS
Element Moving Coil Dynamic Polar
Pattern Unidirectional
Frequency Response
Snare-Tom Mic D42: 50Hz to 16kHz
Bass Drum Mic D44: 20Hz to 10kHz
Sensitivity
(@1kHz, 74dB SPL)
Snare-Tom Mic D42: -54dB, ± 3dB
Bass Drum Mic D44: -58dB, ± 3dB
Impedance
Snare-Tom Mic D42: 600Ω
Bass Drum Mic D44: 250Ω
Maximum SPL (@1%THD)
Snare-Tom Mic D42: >130dB
Bass Drum Mic D44: >140dB
Dimensions & Weight
Snare-Tom Mic D42: 1.63” x 4.13” Wt 6 oz
Bass Drum Mic D44: 2.75” x 5.00” Wt 1 lb
GETTING STARTED QUICKLY
If you are like most people, you probably want to get started right away.
In order to get started, you will need your new D42/D44 mics, XLR Mic
Cables and microphone stands. Carvin recommends our MS line of
stands (MS11, MS13, MS15). Other equipment needed is your mixer
(sound system or recording system).
1. With the mixer power off, plug the D42/D44 mics into your mixer using
balanced XLR cables.
2. Please see the other side of this manual for suggested Mic Placement.
Each mic can be mounted on a mic stand with the built-in mount.
Depending on the threading of your mic stand, you many need to
remove the inner threaded adapter. Use a large flat screwdriver or coin
to assist you.
3. Once the mics have been placed into position, you can turn the mixer ON
(make sure all volume, gain knobs, or faders on your mixer are turned
OFF).
4. Bring the channel volume or fader up to 0 dB.
5. Play each drum individually and turn the mixer’s gain up on each channel
and stop just before the signal peaks. This should be done at the loud-
est volume you will perform at. Check for transients that can cause the
signal to peak and adjust your gain up or down as needed. It might be a
good idea to do a second signal check while playing the entire kit.
Drummers can tend to play louder during a song with other band mem-
bers playing along.
6. With the signal levels set, adjust any EQ that might be needed.
TYPICAL POLAR PATTERNS
Cardioid — rotationally symmetrical about microphone axis, uniform with frequency
12340 World Trade Drive, San Diego, CA 92128
(800) 854-2235
www.carvin.com
D44
D42
76-04244
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