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Synthesis Type | Phase Distortion |
---|---|
Polyphony | 8 voices |
MIDI | Yes |
Year Released | 1984 |
Keyboard | 49 keys (CZ-101), 61 keys (CZ-1000, CZ-3000, CZ-5000) |
Timbrality | Single-Timbral |
LFO | 1 |
Filter | Digital |
Effects | Chorus (some models) |
Defines amplitude as the relative size of a waveform and its relation to loudness.
Explains frequency as the number of times a waveform event occurs per second, related to pitch.
Describes timbre as the tonal quality of a sound, determined by harmonic content.
Categorizes the synthesizer's components into Generators, Modifiers, and Controllers.
Describes modules that generate audio signals, forming the basis of sounds.
Explains modules that alter timbre or amplitude of audio signals, like DCOs and DCAs.
Illustrates the graphical representation of envelope stages like Attack, Decay, Sustain, and Release.
Defines the Attack stage as the initial sound level increase after key press.
Explains the Decay stage as the decrease in amplitude or volume after the initial peak.
Describes the Sustain stage, where amplitude remains constant while the key is held.
Defines the End Point as the final programmable parameter of an EG, determining the release phase.
Provides practical advice and insights for programming Envelope Generators effectively.
Details the Vibrato, Pitch Bend Range, and Portamento effects available on the CZ.
Explains how to engage and control the vibrato effect using the dedicated button and parameters.
Describes how pitch bend range is set via half-step increments, affecting pitch shift.
Explains the portamento effect, creating a glide between notes, and its related parameter.
Covers patch storage and recall, including internal memory and cartridge slots.
Details the built-in presets and their characteristics, including internal and cartridge banks.
Information on internal patch memory for the CZ-101/1000 model.
Information on internal patch memory for the CZ-3000/5000 model.
Explains the use of RAM cartridges for storing and loading patches.
Describes the function for comparing and recalling edited or original patch data.
Explains the Tone Mix mode for layering two patches and adjusting their levels.
Details how to split the keyboard into two different zones for playing separate patches.
Explains how to transpose the entire keyboard range up or down by half-steps.
Describes the function for recording and saving patch data to internal memory or cartridges.
Procedure for saving a single patch to internal memory on CZ-101/1000.
Procedure for saving a single patch to a cartridge on CZ-101/1000.
Procedure for saving a single patch to internal memory on CZ-3000/5000.
Instructions for saving internal patch banks to a cartridge.
Process for loading 16 patches from a cartridge into internal memory banks.
Explains the interface for editing parameters, including cursor and value controls.
Describes the blinking bar that indicates the current parameter position in the LCD.
Details how the Value buttons adjust parameter settings.
Explains the Liquid Crystal Display's role in showing parameter information.
Covers the section dedicated to sound editing parameters for modules.
Details the programmable parameters that control the vibrato effect.
Explains the selection of different waveforms (sine, sawtooth, square) for sound generation.
Describes the Delay parameter for the vibrato effect, controlling time between pitch modulations.
Defines the Rate parameter for vibrato, controlling its frequency.
Explains the Depth parameter for vibrato, controlling the intensity of pitch modulation.
Illustrates the signal flow through the CZ's sound generation modules.
Explains how to choose between different signal paths (Line 1, Line 2, or both) for sound creation.
Describes using only the first sound line for patch creation.
Describes using only the second sound line for patch creation.
Details using both sound lines simultaneously for complex patches.
Discusses how harmonic content influences the timbre and tone of a sound.
Details the Digitally Controlled Oscillator module, the primary source of audio signals.
Explains how to select different waveforms for the DCO.
Describes the EG that controls pitch modulation over time for the DCO.
Explains the Digitally Controlled Waveshaper, modifying timbre and harmonic content.
Details the EG that shapes the DCW's harmonic content over time.
Explains how the DCW's harmonic content changes based on key position.
Covers the Digitally Controlled Amplifier, controlling signal amplitude and loudness.
Describes the EG that shapes the DCA's amplitude over time.
Explains how the DCA's amplitude changes based on key position.
Details the Detune function for creating chorus effects and fat sounds.
Explains the Fine parameter for adjusting pitch in the Detune function.
Describes the Ring Modulator effect for creating metallic or bell-like tones.
Explains the use of noise for percussion sounds and adding texture.
Describes the Initialize button for resetting parameters to default values.
Covers the Master Tune function for overall pitch adjustment.
Specific MIDI parameters and features for the CZ-101/1000 model.
Guides on how to navigate and adjust MIDI settings on the synthesizer.
Details how to use the CZ in Multi-Timbral mode for layering sounds via MIDI.
Specific MIDI parameters and features for the CZ-3000/5000 model.
Explains the setup and use of MIDI Mono and Multi modes for performance.
Guides on assigning specific patches to different MIDI channels for complex setups.
Explains how to enable or disable MIDI send/receive functions.
Describes the function for transferring patch data between internal memory and cartridges.
Step-by-step guide for transferring patch data from a cartridge to internal memory.
Details the organization and access of patch memory locations.
Describes the standard keyboard operation mode.
Explains the Tone Mix mode within the keyboard operation context.
Specific instructions for detuning the second tone in Tone Mix mode.
Details the Key Split mode for dividing the keyboard.
Explains the storage and recall of operation memories.
Instructions on how to modify existing operation memory settings.
Controls the glide effect, allowing smooth pitch transitions between notes.
Explains the Glide parameter for pitch bending and its relation to time and depth.
Describes how these controllers affect sound parameters like pitch and amplitude.
Details the section for parameter editing, including navigation and input.
Explains functions for saving and loading patch data via MIDI or cartridge.
Process for saving multiple internal voices to a cartridge.
Process for loading multiple voices from a cartridge into internal memory.
Instructions for sending patch data using system-exclusive MIDI messages.
Instructions for receiving patch data via system-exclusive MIDI messages.
Covers the main section for editing synthesizer parameters.
Explains how to name user-created patches.
Step-by-step guide for assigning a name to a patch.
Describes the function to copy parameter values between different module lines.
Detailed steps for copying parameter settings between sound lines.
Explains the Level parameter's effect on amplitude and its relation to the DCA EG.
Highlights a specific behavior related to the Line Level parameter on the CZ-1.
Details how keyboard velocity affects parameters like pitch and amplitude.
Explains the different keyboard modes for MIDI transmission.
Describes the CH parameter for setting the CZ-1's MIDI reception channel.
Guides on setting up and utilizing MIDI Mono and Multi modes.
Process for arranging MIDI channels for different voices or sounds.
How to assign specific patches to individual MIDI channels.
Instructions for creating the '5th Stairway' patch, focusing on DCO Envelope pitch steps.
Instructions for the 'Oriental #5' patch, utilizing DCO Envelope pitch bend.
Guide to creating the 'Chorus-Lead' patch for an automatic chorusing effect.
Instructions for the 'Spikey' patch, accentuating pitch with envelope settings.
Guide to the 'Hollow Soft' patch, using Detune for a fuller dual-line sound.
Instructions for the 'Combo Organ' patch, utilizing Detune in dual-line mode.
Guide to the 'Generic Digital' patch, using Ring Modulator and Detune for harmonics.
Instructions for the 'African #' patch, creating ethnic percussion with Ring Modulator/Detune.
Guide to the 'N. Brass' patch, creating a dual sound using separate lines.
Instructions for the 'Flutey' patch, adding realism with Noise to a flute sound.
Guide to the 'Electric Drum' patch, using DCO ENV and Noise for percussion.
Instructions for the 'Dual Echo' patch, creating delay effects with DCW and DCA.
Guide to the 'Reverber' patch, creating pseudo reverb with the DCA ENV.
Instructions for the 'Slow-Stringer' patch, with a smooth attack using DCA ENV.
Guide to the 'Video Game' patch, using DCO ENV, Vibrato, and Detune for effects.
Instructions for the 'Analog Full' patch.
Guide to the 'Crescendo Brass' patch.
Instructions for the 'Heavy Swesweep' patch.
Guide to the 'Cowbell' patch.
Instructions for the 'Frog Piano' patch.
Section for recording detailed parameter settings for a patch.
Area for adding custom notes or descriptions for a patch.