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Control for attenuating output, best used when Gain and Body are high.
Increases gain for fuzz, harmonics, and upper-midrange boost.
Increases bass response, output, and harmonic content; a negative-feedback loop.
Using neck vs. bridge pickup for different octave-up and lead tones.
Guitar's volume control acts as the pedal's 'intensity' control.
Using guitar's tone control for smoother, flute-y upper-octave sounds.
Delicate single-note passages on neck pickup for pure octave tones.
Using open strings with licks to create a subtle ring mod texture.
Hard-hitting power chords with high Gain/Body for intense, sustained sound.
Delicate arpeggios with low Gain/Body and low guitar volume for unique textures.
Droning D string while playing raga melodies on G string for sitar-like tones.
Single note riffs on wound strings for horn/cello tones.
Double-stops played at the 12th fret to highlight harmonic blooming effects.
Wailing bends on bridge pickup with high settings for expansive, blossoming tones.
| Type | Octave Fuzz |
|---|---|
| Power Supply | 9V DC |
| Bypass | True Bypass |
| Input Impedance | 1 MΩ |
| Controls | Fuzz |
| Power Requirements | 9V DC |
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