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Provides essential safety guidelines for operating the instrument, including electrical and fire precautions.
Expresses gratitude for purchasing the Nord Stage 2 EX and highlights its core design philosophy.
Details the main features, including organ, piano, synth sections, effects, and keyboard types.
Explains how the manual is structured and how to navigate its content using features like hyperlinks.
Provides information on accessing the Nord website for latest updates, sounds, and software.
Explains how to restore the instrument to its original factory settings using backup files.
Guides users on how to download and install the latest operating system version for the instrument.
Details how to access and download additional sounds from the Nord Piano and Sample Libraries.
States legal disclaimers regarding trademarks and brand names used in the manual.
Describes the Nord Stage 2 EX's dedicated organ section, including its B3, Vox, and Farfisa models.
Details the compatibility with Nord Piano Library v5 and the quality of the piano sounds.
Explains the different sizes available for acoustic pianos and their impact on features like String Resonance.
Describes the String Resonance acoustic phenomenon and its effect on piano sounds.
Details the Pedal Noise feature, which recreates mechanical sounds associated with pedal operation.
Explains the Master Level control and its function in setting the overall output volume.
Provides instructions on connecting power, pedals, and audio outputs to the Nord Stage 2 EX.
Explains how programs are organized, stored, and selected using panel buttons and the value dial.
Details the secondary functions accessed by holding the Shift button and pressing other panel controls.
Describes Live Mode, which automatically saves edits on-the-fly without requiring a manual store operation.
Guides users on how to save edited programs to memory locations on the instrument.
Explains how to activate, adjust, and assign effects to instruments within a program.
Details how to layer multiple instrument sounds to create complex timbres.
Explains how to divide the keyboard into zones and assign different instruments to each zone.
Describes how to assign keyboard zones to specific slots (A or B) for instrument placement.
Explains the different modes (numerical, alphabetical, category) for browsing programs using the Value Dial.
Guides users on how to modify existing program settings using panel controls.
Details the process of browsing and selecting different piano types and models within a program.
Explains the function of the LED-indicated knobs for parameter adjustment and Morph control.
Describes how the various buttons on the panel are used for program selection and editing.
Explains how to turn off memory protection to allow saving custom programs and sounds.
Describes Live Mode, which automatically saves edits on-the-fly without requiring a manual store operation.
Details the procedure for storing edited programs to specific memory slots.
Guides users on how to activate effects like Reverb and Delay and adjust their parameters.
Explains how to layer synth sounds on top of existing piano sounds for richer textures.
Details the concept of independent Slots A and B for complete instrument and effect setups.
Provides a step-by-step guide to splitting the keyboard into zones for different instruments.
Explains how to assign instruments to specific keyboard zones (Low, Upper, High) within the selected slot.
Guides users on selecting and loading synth sounds from memory into the synth section.
Details how to create a sound by layering a third instrument (synth) onto a piano-synth split.
Explains how to activate both Slot A and Slot B to create layered or split keyboard setups.
Introduces the Morph feature for controlling multiple parameters simultaneously with a single source.
Provides a basic understanding of the Stage 2 EX's synthesizer engine and its capabilities.
Offers a practical guide to using the synthesizer's arpeggiator, covering its modes and controls.
Explains how to synchronize the arpeggio and effects to the Master Clock for rhythmic precision.
Details how to transpose the instrument's pitch in semitone steps, programmable per program.
Explains the function of Slot A and B buttons for accessing and managing independent instrument setups.
Describes how to set the instrument's audio outputs to mono, affecting all programs globally.
Explains how to use an external MIDI keyboard to control Slot B instruments exclusively.
Details the practical application and benefits of using the Dual KB mode for live performance setups.
Explains the dual role of the Shift button for accessing secondary functions and exiting menus.
Describes Live Mode, which automatically saves edits on-the-fly without requiring a manual store operation.
Defines what a program is and lists the settings it stores, including slots, effects, and morph assignments.
Explains how to access the four main system menus using the program buttons and the Shift button.
Describes the Panic function for resetting stuck notes and performance parameters.
Details the process for saving, renaming, and categorizing programs using the Store and Store As functions.
Guides users on how to save edited programs to specific memory slots, including verification.
Details the process for renaming programs and assigning them to categories using the Store As procedure.
Lists the available categories for organizing programs and explains how to use category sorting.
Explains the function of the Value Dial for selecting parameters, programs, and entering characters.
Describes the function of the MIDI indicator LED for displaying incoming MIDI activity.
Explains how to select program banks (A-D) using the dedicated bank selection buttons.
Details the 'Init' functions for Organ, Piano, and Synth to quickly set up single instruments.
Explains the Organ Split Init function for creating a dual manual organ setup using Slot A and Slot B.
Describes how to navigate between the 20 program pages within each bank using the page buttons.
Explains how to preview programs without loading them until a program button is pressed.
Details the different sort modes (Category, Alphabetical, Numerical) affecting program browsing.
Introduces the Master Clock for synchronizing arpeggios, LFOs, and effects.
Explains how the instrument synchronizes its Master Clock to incoming external MIDI clock signals.
Details how to assign controllers (Wheel, pedal, aftertouch) to morph multiple parameters.
Explains how to clear existing morph assignments for a selected source or specific parameters.
Describes how to split the keyboard into up to three zones (LO, UP, HI) for instrument assignment.
Explains how to use KB Zone Select buttons to assign instruments to keyboard zones.
Describes the shared controls like Level encoders and On/Off buttons for instruments and the Extern section.
Explains the function of Level encoders for adjusting instrument volume and Morph control.
Describes the On/Off buttons used to activate or deactivate instrument sections and assign zones.
Provides a step-by-step guide on creating a keyboard split by assigning instruments to different zones.
Explains how to adjust split points for zone 2 and 3 using the Set Lo/Hi Split buttons.
Describes how instruments assigned to the same zones are layered, and how to activate both slots.
Explains how to shift the pitch of instruments up or down in octaves within their note range.
Details the finite note range for each instrument (Organ, Piano, Synth) and how octave shifts interact.
Explains how to configure instrument response to Pitch Stick and Sustain Pedal inputs.
Describes the Latch Pedal for arpeggios and KB GATE to disable triggering when the pedal is active.
Explains how to assign instruments to specific audio outputs globally or per program.
Details how to set up dual slots, activate them, and manage focus between them.
Guides on setting up an external keyboard to control Slot B instruments exclusively.
Discusses advanced setups for controlling multiple Stage 2 EX instruments with more than two keyboards.
Explains the Master Level control and its function in setting the overall output volume.
Explains how to select between the B3, Vox, and Farfisa organ models using the Organ Model button.
Details the button-based drawbar system, including auto-increment/decrement and Morph control.
Describes the B3 model's sonic characteristics, including modeling of contact bounces and frequency responses.
Illustrates the pitch intervals of the drawbars for the B3 organ model when playing C3.
Explains the Vibrato and Chorus effects, including different types (C1-C3, V1-V3) and their activation.
Details the Percussion effect, its single-triggered nature, and how it adds attack to organ sounds.
Explains the Key Click control for the B3 organ model, adjusting the level of contact bounce sound.
Describes the ability to store two organ presets per program, allowing quick variation switching.
Describes the characteristics of the Vox transistor organ model, its sound, and historical context.
Details the Vox drawbar controls, which function as register selectors for different voices.
Describes the Farf model's distinctive 'buzzy' sound and its range of tonal possibilities.
Explains how Farf registers act as on/off switches for different voice/filter settings.
Explains the Vibrato effects available for the Vox and Farf models, activated via the Vibrato section.
Details how to connect and use an expression pedal for Swell control on the organ section.
Introduces the Rotary Speaker effect, its placement in the signal path, and its characteristics.
Describes the six piano types and the ability to add new instrument models via Nord Sound Manager.
Lists the available piano types (Grand, Upright, E Piano, etc.) and their descriptions.
Explains how to view piano information and select specific models within a selected type.
Details how the Clavinet's pickup combinations are simulated by pressing the Model button.
Provides descriptions for Clavinet pickup types A, B, C, and D based on their sound characteristics.
Explains how to adjust the dynamics response curves for increased sensitivity to playing velocity.
Describes Acoustic features like String Resonance and Pedal Noise for enhancing realism.
Explains the Long Release feature, which adds a longer release time to piano sounds.
Details the Pedal Noise feature, which recreates mechanical sounds associated with pedal operation.
Confirms compatibility with the Nord Triple Pedal and highlights its additional features.
Explains the half pedaling technique, allowing gradual sustain control with compatible pianos.
Describes the Sostenuto/Latch pedal functionality, sustaining selected notes while others are unaffected.
Explains the Soft Pedal's function, which reduces volume and subtly alters the tone quality.
Details Slot Detune for layering and Clavinet EQ settings for tonal shaping.
Provides a basic understanding of the Stage 2 EX's synthesizer engine and its capabilities.
Describes the four oscillator techniques: Analog, FM, Wavetable, and Sample playback.
Explains how the Shape knob is used to alter waveform characteristics and can be modulated.
Details how the Shape Mod knob controls the amount of modulation applied to the Shape parameter.
Explains how to use the Waveform selector button and dial to choose different oscillator algorithms.
Details the Triangle, Sawtooth, and Pulse analog waveforms and their variations.
Describes the characteristics of the triangle waveform, noting its odd harmonics and subtle tonal quality.
Describes the sawtooth waveform, known for its richness in harmonics and suitability for various sounds.
Mentions the availability of white and pink noise samples in the sample selection.
Explains Oscillator Sync, a technique that synchronizes one oscillator to another for unique timbres.
Details how the Shape Mod knob controls the amount of modulation applied to the Shape parameter.
Explains the principle of FM synthesis, involving oscillators modulating each other's frequencies.
Lists the available FM algorithms, detailing operator ratios and feedback options for sound design.
Details the Wavetable category featuring 62 digital waveforms for rich and varied timbres.
Explains how to use Nord Sample Library sounds and custom samples as oscillator sources.
Describes the Skip Sample Attack feature, which bypasses the original attack portion of a sample.
Guides users on loading and saving synth sounds to available memory locations.
Introduces the filter section as a key component for shaping sound timbre and its modulation capabilities.
Details the Low Pass filter types: LP 24 (4-pole) and LP 12 (2-pole), explaining their frequency attenuation.
Explains the High Pass filter, which attenuates frequencies below the set cutoff frequency.
Describes the Band Pass filter, which allows frequencies close to the cutoff to pass while attenuating others.
Explains the Notch filter, which attenuates frequencies within a specific range while passing others.
Details the Filter Frequency (cutoff) and Resonance parameters and their effect on the sound.
Introduces the concept of envelopes for shaping sound over time, covering Mod and Amp envelopes.
Explains the three stages of the Modulation Envelope: Attack, Decay, and Release.
Details how the Attack knob adjusts the time for the modulation envelope to reach maximum level.
Explains the Decay and Release parameters for the Modulation Envelope.
Introduces the Amp Envelope, which controls the volume shape of the synth sound over time.
Details the Attack, Decay, and Release parameters for the Amp Envelope.
Explains the LFO's role in modulating synth parameters like Shape and Filter Frequency.
Describes how velocity can control Amp Envelope and Mod Envelope depth for expressive playing.
Introduces the Voices section for setting synth voice modes, including Mono, Legato, and Unison.
Explains the Mono voice mode for monophonic playing, including legato behavior.
Explains Legato mode, where glide is active only when playing legato, with re-triggering on non-legato.
Details how the Glide knob controls the portamento effect between notes in legato and mono modes.
Describes the Unison mode, which adds slightly detuned oscillators for thicker, classic synth sounds.
Explains the three methods for controlling synth vibrato: Aftertouch, Delay modes, and Mod Wheel.
Guides users on how to store custom synth sounds to memory locations and name them.
Explains how to use the arpeggiator, covering direction, range, speed, and synchronization.
Details the Sound Init function for resetting the synthesizer to a basic default setting.
Divides effects into Slot Effects (per instrument) and Global Effects (Compressor/Reverb).
Details Slot Effects, their independent engines for Slots A/B, and synchronization capabilities.
Explains how to enable Slot effects using ON/OFF buttons and change instrument assignments.
Describes how to use the Rate/Tempo and Amount knobs to adjust parameters for individual Slot effects.
Explains how the Focus button selects which effect's parameters are currently visible and editable.
Details how to synchronize Effect 1 parameters like Rate/Tempo to the Master Clock.
Explains how to preview and select effect types without turning the effect on.
Lists the six modulation effect types available in the Effect 1 section.
Describes the A-Pan effect for automatic stereo panning and its controls.
Explains how to use the A-Pan effect for manual static panning of instruments.
Describes the Tremolo effect for continuous volume modulation, commonly used on electric pianos.
Explains Ring Modulation, where two signals are multiplied to create in-harmonic sounds.
Describes the Wah-Wah effect for characteristic filter sweeps and its control via pedal or knob.
Details Auto-Wah variations that use envelope followers to control the filter sweep range.
Lists the six vintage style effects available in the Effect 2 section.
Describes the Phaser effects, inspired by classic units, producing a characteristic 'sweep' effect.
Explains the Flanger effect, producing a dramatic comb filter sound with adjustable rate and amount.
Describes the Vibe effect, created through a digital model of staggered phasing filters.
Explains the Chorus effect, simulating slightly detuned copies of the audio signal for a thicker sound.
Details the Delay effect for echoes/repeats, including time, amount, feedback, and modes.
Introduces the Amp Sim/EQ effect, combining amplifier simulation with a three-band equalizer.
Lists the three amplifier/speaker simulations (JC, Small, Twin) available within the Amp Sim section.
Explains the Drive knob's function in controlling the amount of overdrive for the Amp Sim section.
Details the 3-band equalizer with bass, midrange, and treble controls for tonal shaping.
Explains how Compressor and Reverb affect all signals routed to CH 1/CH 2 and headphone outputs.
Describes the Compressor's function in evening out dynamics for a tighter, punchier sound.
Details the six reverb types (Stage, Room, Hall) and how the Dry/Wet knob balances the signal.
Introduces the Rotary Speaker effect, its placement in the signal path, and its characteristics.
Describes how the Rotary effect is placed in the signal path and affects multiple slots simultaneously.
Details parameters like rotor acceleration rate, speed control, and overdrive simulation.
Introduces the Extern section as an integrated feature for controlling external MIDI instruments.
Guides on connecting MIDI cables and setting up basic transmission channels for external devices.
Explains how to transmit MIDI Volume, Program Change, and CC messages to external units.
Details how to activate the Extern section using the On button, similar to instrument activation.
Explains how to assign the Extern section to keyboard zones, including an option to bypass internal keyboard control.
Describes how Octave Shift buttons function within the Extern section for external instrument control.
Explains how to configure the Extern section to send Pitch Stick and Sustain Pedal messages via MIDI.
Details the Parameter Select buttons and rotary encoder for controlling external device parameters.
Explains how the Parameter encoder can send MIDI Volume (CC 7) messages to control external device levels.
Describes how the Parameter encoder can send Program Change messages to select programs on external devices.
Explains how to transmit MIDI CC messages to control specific parameters on external instruments.
Details the Send On Load feature, which automatically transmits MIDI messages when a program is selected.
Explains how incoming MIDI notes can be re-routed through the Extern section to control other external devices.
Guides users on how to enter and navigate the System menu using panel buttons and the Value Dial.
Explains how to transpose the entire instrument in semitone steps, affecting all programs.
Details the Fine Tune setting for making precise pitch adjustments to the instrument's tuning.
Explains how to set global or per-program output routings for instruments and effects.
Details how to set channel output pairs for the Organ section, depending on the global routing setting.
Details how to set channel output pairs for the Piano A/B sections, depending on the global routing setting.
Details how to set channel output pairs for the Synth A/B sections, depending on the global routing setting.
Explains the Organ Keyboard Trig Point setting for adjusting trigger sensitivity, mimicking tonewheel organs.
Guides on selecting the correct sustain pedal type (e.g., normal, inverted, triple) for proper function.
Explains alternative functions for the sustain pedal input, including Sustain Only, Sus+RotrHld, Sus+RotrTgl.
Guides on selecting the correct switch pedal type (e.g., normal, inverted, auto) for Rotor/Latch input.
Explains how the Rotor/Latch pedal can control rotor speed or act as a latch/sostenuto pedal.
Details control pedal type compatibility and gain adjustment for optimal response.
Explains the different functions that can be assigned to the Control Pedal input (Ctrl, Ctrl+Swell, Ctrl+Volume).
Details Swell Pedal type compatibility, gain adjustment, and its function for organ swell or volume control.
Explains how to enable/disable Memory Protection to prevent accidental overwriting of programs.
Guides users on how to enter and navigate the Sound menu for instrument-specific adjustments.
Details settings for Organ Key Click level and Organ Tonewheel Mode for B3 sound shaping.
Explains settings for Piano Pedal Noise and String Resonance levels, affecting piano sound realism.
Details settings for Synth Vibrato Rate/Amount and FX Rotary Speaker speeds and acceleration.
Explains the FX Delay Mode setting, choosing between Analog (pitch shift) and Normal modes.
Guides users on how to enter and navigate the MIDI menu for configuring MIDI settings.
Explains the MIDI Local On/Off setting, which determines if panel controls affect internal sounds.
Details how to set the transmitting and receiving MIDI channel for the Global channel.
Explains how to set the receiving MIDI channels for Slot A and Slot B instruments.
Details how to assign individual MIDI channels to Organ, Piano, and Synth sections.
Explains how to set the MIDI channel for receiving external keyboard data when using Dual KB mode.
Allows setting whether the Stage 2 EX transmits/receives MIDI Control Change messages globally.
Determines whether the Stage 2 EX transmits/receives Program Change messages globally.
Details options for sending MIDI Control messages, dumping programs, and dumping synth sounds.
Guides users on how to enter and navigate the Extern menu for configuring external MIDI control.
Explains setting the Extern MIDI channel mode to Global or Program-specific.
Details how to set the transmitting MIDI channels for the Extern section.
Explains how the Extern section sends MIDI Volume and Program Change messages to external devices.
Details settings for transmitting MIDI Bank Select messages and selecting CC numbers for control.
Explains options for sending MIDI CC values, Mod Wheel, Aftertouch, Control Pedal, and Swell Pedal data.
Allows adjusting the velocity response curves for the Extern section.
Explains the Send on Load and Soft Thru features for automatic MIDI transmission and re-routing.
Describes the Nord Sound Manager application for organizing sounds, programs, and managing memory areas.
Lists the system requirements for running the Nord Sound Manager on Windows and Mac computers.
Explains the instrument's flexibility in using MIDI as a master keyboard or individual sound engines.
Details how to set individual MIDI channels for Slot A and Slot B instruments for external control.
Explains how the Extern section is used to integrate external MIDI units into performances.
Describes assigning individual MIDI channels to each instrument (Organ, Piano, Synth) for granular control.
Explains the Global MIDI channel for controlling all aspects of the instrument and transmitting panel actions.
Guides on using the Extern section's Morph feature to control external device parameters via MIDI.
Explains how to use an external keyboard or MIDI device to control Stage 2 EX instruments.
Details the Dual KB feature for using an external keyboard to control Slot B exclusively.
Explains using Slot MIDI channels to control individual instruments, similar to Dual Kb but allowing internal keyboard use.
Details how Global MIDI controls the instrument and transmits panel actions, acting as a central MIDI hub.
Explains how the Master Clock synchronizes to incoming MIDI clock signals, indicated by 'EXT'.
Describes how incoming MIDI notes can be re-routed through the Extern section to control other external devices.
Guides on recording panel actions, morphing, and notes to a MIDI sequencer using Global MIDI.
Explains how Program Change messages affect internal programs and can be transmitted to external units.
Details setting individual MIDI channels for instruments and Global, with MIDI Local Off for sequencer control.
Explains activating an instrument to be controlled solely by incoming MIDI, while panel remains active.
Lists the types of MIDI messages that can be transmitted and received by the Nord Stage 2 EX.
Describes the transmission and reception of Note On/Off and Pitch Bend messages.
Explains how CC messages are used to control parameters and includes details on pedal inputs.
Describes how Keyboard Velocity and Aftertouch messages are transmitted and used for expressive control.
Explains how Program Change messages affect internal programs and can be transmitted to external units.
Details how Bank Select messages are used to remotely select the 4 Program Banks via MIDI.
Explains the Local On/Off setting to disconnect the keyboard/panel from sound engines, useful for MIDI loops.
Describes the Panic function for resetting stuck notes and incoming CC messages in MIDI setups.
Guides on connecting the instrument via USB for MIDI communication and installing necessary drivers.
Details connections for headphones, audio outputs 1-4, and monitor input for audio routing.
Explains the use of headphone jack and stereo/mono audio outputs (CH 1-4) for sound output.
Describes the Monitor Input for routing external audio signals, such as metronomes, for practice.
Explains the USB connection for computer communication, OS updates, and MIDI data transfer.
Details the MIDI In and MIDI Out ports for connecting to other MIDI equipment like keyboards and computers.
Describes the brackets on the rear panel for mounting the optional Nord Music Stand.
Guides on connecting sustain, expression, and rotor/latch pedals to the instrument's inputs.
Explains how to connect an expression pedal to the Organ Swell input for volume and character control.
Details connecting a pedal to the Rotor/Latch input to switch between slow/stopped and fast rotor speeds.
Explains connecting a momentary pedal to the Rotor/Latch input for latching arpeggios or notes.
Describes the sustain pedal input and compatible pedal types for standard operation.
Confirms compatibility with the Nord Triple Pedal and highlights its additional features.
Details the functions of the Nord Triple Pedal's three pedals: sustain, soft, and sostenuto/latch.
Describes the Flash memory for OS, programs, pianos, and samples, and its upgrade capabilities.
Explains that factory presets can be replaced and advises regular backups using Nord Sound Manager.
Guides users on how to restore the instrument's factory setup using a Sound Manager backup file.
Provides information on downloading and installing the latest OS versions to update functionality.
Warns against modifying the unit, as it may void FCC authorization and cause interference.
Emphasizes using only high-quality shielded cables supplied with the product for proper installation.
States that the equipment complies with FCC Part 15 limits for Class B digital devices.
Confirms that the digital apparatus complies with Canadian ICES-003 standards.
General| Brand | Clavia |
|---|---|
| Model | NordStage2 EX 88 |
| Category | Musical Instrument |
| Language | English |
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