sr 1600
sERtEs
into the
I
ine amp of a spare channel
or
patched
directly to
the multitrack inputs,
you
can
group
any
number
of
channels anywhere
in the console.
This
allows enormous flexlbllity
of
controll
The main features of the
desk
and its
advantages
should by now
be clear.
0n
the next
pages
the individual modules
are
described ln detail.
Their lay-outs
make
them largely
self explanatory as can
be
seen from
the i
I lustratlons
but
there
are a number of
poi
nts
that
deserve
expans
lon.
INPUT SECT
ION
A
contlnuously
verlrblc mlc
galn
control
ls
provlded
to al low exact sterco
fadcr I
lne-up cltmlnatlng
logarlthmtc crrors.
A
conttnuous
I
lnc
galn
control
al lows the
matchlng of non strndard Input dcvlccs
and
resculng of mlgrccordcd mul tltracks.
The
lnput
to the channel
ls
control
led
by a
rteppcd
swl
tch allowlng
connecti'on to a mlcrophone, I
lne
devlce
o
r
tape/
sync .
re tu
rn
.
The
mlc
preampl
lfier
wil
I
accept slgnals
of 0
dBm
with no
pad
in the clrcult
and del lver
them at
+22
dBm
wi
th
less than
0,1
t
til distortion typlcal. A
swltchable
20 dB
pad
is
provlded.
for aEnormally hlgh inputs a3
well
as a
phase
reverse switch.
The
preampl
lfler
noise
figure,
measured wlth a
standard
200 ohm tnput
load, is
-127,5
dB
(measured
true RllS 20
Hz
-
20,000
Flz).
The nom i na
I
output
I
eve
I i
s
-5
dBm. The
hcad room
of
the
preampl
lfler ls
28 dB
above
-6
dBm;
more than
enough
fn thls
crltlcal stage.
(6)
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