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Frequency and Sensitivity| frequency response | 30Hz-30kHz ±1.5dB |
|---|---|
| sensitivity | 10mV/Pa (-40dBV/Pa) |
| polar pattern | Cardioid |
Power Requirements| power requirements | 48V Phantom, 10mA |
|---|---|
| peak acoustic input | 145dB SPL |
| output impedance | 100Ω balanced |
Physical Characteristics| dimensions | 9 x .860 in. (229 x 22 mm) |
|---|---|
| weight | .5lb (225g) |
| output | XLR-3 |
Provides critical information regarding microphone usage and potential issues with preamplifiers and signal levels.
Details the warranty terms and conditions for Earthworks products, covering parts and labor for a limited period.
Describes the function and application of the KickPad™ as a passive signal processor for kick drum microphones.
Provides guidance on optimal placement and handling of the SR30 microphone for kick drum sounds, emphasizing angle and air bursts.
Highlights the detailed and accurate sound quality of DP30/C microphones for snare and tom miking.
Suggests positioning for miking hi-hats using the SR30 microphone, advising on angle and proximity to avoid popping sounds.
Details an overhead miking approach ideal for rooms without a dedicated drum booth, offering a defined stereo image.
Discusses various drum miking approaches, focusing on advantages and disadvantages for recording and live sound.
Explains the technique of using separate microphones for each drum element to control individual levels and processing.
Highlights Earthworks' patented polar technology that minimizes phase differences and cancellations in multi-mic setups.
Provides instructions for close-miking toms and snares using DP30/C microphones, emphasizing proper positioning.
Recommends SR25s for overheads to capture less low-end, suggesting SR30s for hi-hat and kick drum.
Explains the X/Y positioning method for overhead drum mics, noting it provides a less wide stereo image than separated methods.
Details the process of mounting the RM1 RimMount onto metal drum rims for secure microphone placement.
Describes how to achieve a rich tom sound with the DP30/C, suggesting miking top, bottom, or both drumhead surfaces.
Guides on adjusting the height of the Drum Periscope microphone body within the RimMount for optimal positioning.
Advises on positioning the microphone head at an angle to the drumhead, not parallel, to avoid diaphragm issues.
Reiterates the importance of angled microphone head placement when close-miking snare drums with the DP30/C.
