15
Esempi di collegamento
AUX RETURNS
AUX 1
AUX 2
AUX 1
TO MON
AUX 2
TO MON
3 kHz
HI-MID
3 kHz
HI-MID
3 kHz
HI-MID
3 kHz
HI-MID
2.5 kHz 2.5 kHz 2.5 kHz 2.5 kHz
MID MID MID MID
800 Hz
LO-MID
800 Hz
LO-MID
800 Hz
LO-MID
800 Hz
LO-MID
LO-CUT LO-CUT LO-CUT LO-CUT
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
80 Hz
LOW
NORMAL
LEVEL SET
PHANTOM POWER
SOLO MODE
PAN PAN PAN PAN B AL B AL BAL BAL
SOLO
ACTIVE
CR / PHONES
SOURCE
OUTPUT/SOLO
LEVEL
MIX L&R
CR/PHONES
MONITOR
LEVEL
MIX B
TAPE IN
ROUTE to MIX
LEVEL
SET
CLIP
L
R
30
20
10
7
4
2
0
2
4
7
10
AFL
PFL
M
U
T
E
M
I
X
B
M
U
T
E
M
I
X
B
M
U
T
E
M
IX
B
M
U
T
E
M
I
X
B
M
U
T
E
M
IX
B
M
U
T
E
M
I
X
B
M
U
T
E
M
IX
B
M
U
T
E
M
I
X
B
S
O
L
O
S
O
L
O
S
O
L
O
S
O
L
O
S
O
L
O
S
O
L
O
S
O
L
O
S
O
L
O
10
10
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
30
30
30
30
30
30
30
40
40
40
40
40
40
40
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-FADER
MONITOR
PRE-POST PRE-POST PRE-POST PRE-POST PRE-POST PRE-POST PRE-POST PRE-POST
AUX 1 AUX 1 AUX 1 AUX 1 AUX 1 AUX 1 AUX 1 AUX 1
POST-FADER POST-FADER POST-FADER POST-FADER POST-FADER POST-FADER POST-FADER POST-FADER
AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2 AUX 2
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
12 kHz
HIGH
GAIN GAIN GAIN GAIN
MIC (MONO)
RIGHT RIGHT RIGHT RIGHT
LEFT LEFT
(MONO)
LEFT
(MONO)
LEFT
(MONO)
LEFTLEFT (MONO) RIGHT
RIGHT
+15-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15-15
+12-12 +12-12 +12-12 +12-12 +12-12 +12-12 +12-12 +12-12
+12-12 +12-12 +12-12 +12-12
+15-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15-15 +15-15
10 10 10 10 10 10 10 1000000000
10 10 10 10 10 10 10 1000000000
10 10 10 10 10 10 10 1000000000
100 100
100
100
RRRRRRRRLLLLLLLL
-10dB -10dB -10dB -10dB
MIC MIC MIC MIC
LINE LINE LINE LINE
+10dB +10dB +10dB +10dB
-60dB -60dB -60dB -60dB
0dB
(LINE)
0dB
(LINE)
0dB
(LINE)
0dB
(LINE)
-40dB -40dB -40dB -40dB
LINE LINE LINE LINE
HEADPHONES
MIC MIC MIC MIC
AUX SENDS
TAPE
IN
TAPE
OUT
MONITOR
OUT
AUX RETURNS
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
STEREO
LINE
STEREO
LINE
STEREO
LINE
1234
5/ 6 7/ 8 9/10 11/12
MIX B L MIX R
1234
5/6
7/8
1
2
9/10
11/12
75 Hz 75 Hz 75 Hz 75 Hz
10
10
20
30
40
5
5
0
10
10
20
30
40
5
5
0
10
10
20
30
40
5
5
0
10
10
20
30
40
5
5
0
DAT RECORDER
to TAPE IN
from TAPE OUT
AMPLIFIED MONITOR SYSTEM
from CR OUTPUTS
HEADPHONES
STEREO KEYBOARD
CH 9/10
STEREO SAMPLER
CH 11/12
STEREO KEYBOARD
CH 7/8
MULTIMEDIA PC
CH 5/6
from MIX L&ROUT
SWING 12
HOME RECORDING SETUP
VOCAL MICS
CH 1&2
GUITAR
CH 4
BRASS
CH 3
from AUX SEND
to AUX RETURN
DIGITAL EFFECT
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