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General| Type | Condenser |
|---|---|
| Frequency Response | 20 Hz - 20 kHz |
| Max SPL | 140 dB SPL |
| Sensitivity | -42 dB (0 dB = 1 V/Pa) |
| Output Impedance | 50 Ohms |
| Power Requirements | 48 V Phantom Power |
| Diaphragm Size | 1 inch |
| Self-Noise | 12 dB(A) |
| Max SPL (0.5% THD) | 140 dB SPL |
| Connector | XLR |
| Polar Pattern | Cardioid, Omnidirectional, Figure-8 |
Details the Austrian-designed condenser microphone, its rich sound, and versatility in studio and live settings.
Highlights superior transient response, flat frequency, five polar patterns, low self-noise, and high SPL handling.
Lists applications such as vocals, acoustic instruments, ensembles, and demanding studio productions.
Explains status indicator, polar pattern, attenuation, and high-pass filter indicators and their meanings.
Details the function and settings for the high-pass filters to eliminate low-frequency noise.
Explains how the microphone automatically adjusts attenuation to prevent clipping from high SPL.
Describes how to lock and unlock the microphone's push buttons to prevent accidental changes.
Explains how to check past clipping events using the indicator lights and button presses.
Presents polar patterns and frequency response curves for various directional characteristics.
Lists specifications including acoustical principle, sensitivity, SPL, impedance, and dimensions.
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