(1) PHANTOM LEDs light when 48V supply
voltage is engaged for a particular channel.
(2) MIDAS-designed mic/line inputs accept
balanced XLR male plugs.
(3) MUTE ALL button mutes all inputs for
safely connecting and disconnecting cables
while the PA system is still on. Keep the
button depressed while patching cables on
XLRinputs 1-32. The button’s red light will
turn o shortly after releasing it, indicating
that the inputs are now active again.
(4) AES50 SYNC LEDs indicate proper clock
synchronisation on either AES50 port with a
green light. A red light indicates the AES50
connection is not synchronised, and o
indicates AES50 is not connected.
(5) XLR outputs 1-16 accept female balanced
XLR plugs and provide the signals 1-16 of
AES50 port A.
(6) POWER switch turns the unit on and o .
(7) USB input accepts a USB type-B plug for
rmware updates via PC.
(8) AES50 ports A and B allow connection
to a SuperMAC digital multi-channel
network via shielded Cat-5e Ethernet
cable with terminated ends compatible
to Neutrik etherCON. NOTE: The clock
master, typicallythe digital mixer,
mustbe connected to the AES50 port A,
whileadditional stage boxes would be
connected to port B.
(9) ULTRANET port provides the 16 AES50
channels 33-48 on a single shielded
CAT5 cable to a BEHRINGER P16
personalmonitoring system.
(10) ADAT OUT jacks send AES50 channels 17-32
to external equipment via optical cable.
(11) AES/EBU outputs send the AES50
channels 13/14 and 15/16 to devices with
digitalinputs.
(12) MIDI IN/OUT jacks accept standard 5-pin
MIDI cables for MIDI communication to and
from an M32 console.
Step 2: Controls