Native Instruments O Kore 2 - Page 189

KORE 2 – 189
is received. Please read chapter 3.4 for details about how to use the edit
area. The Midi inPut and outPut aCtiVity MeterS (labeled In and Out) ash
when MIDI data passes the plug-in’s input or output, respectively.
The V eloCity M aPPing Section is for scaling Velocity values. Use the four
parameters to the right and select a curve from the tranSition CurVe menu
to manipulate the MIDI velocity values of incoming note messages.
The two V eloCity parameters set the limits for variable velocity. Outside
of the in range, the incoming values will be set to the lower and upper
Velocity values, respectively.
You can look at this process as a transition curve in a coordinate system.
The x-value of the rst break point is dened by the rst parameter of the
in range and the y-value by the rst parameter of the out range. The other
two parameters dene x- and y-values for the second break point. When
the right o ut value is smaller than the left Out value you get a negative
slope, which can be used for velocity-crossfading applications.
Note that you can only crossfade between two velocity zones with this
concept. More complicated velocity switches are not supported.
The slope of the velocity response curve between the two break points can
be changed via the t ranSition C urVe menu. You can choose between linear,
four different SoFt slopes and four different Hard slopes. The S oFt curve
ramps up fast with low in-velocities, and tapers off toward higher values
(logarithmic response). With a Hard curve, the curve remains at for low
values and becomes steeper for higher values (exponential response).
The next parameter of the Midi t ranSForMer , t ranSPoSe , transposes the
MIDI notes up or down in half tone steps.
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Internal MIDI plug-ins are
handled in the same way
as any other device in KORE. This
means you can save them as a
KoreSound to recall their settings at
a later stage.