RADIKAL TECHNOLOGIES Spectralis - Page 5

3.1.6 Editing panorama and FX-sends ................................................................................. 31
3.1.7 Sound selection for your parts ................................................................................. 31
3.1.7a The pattern transpose function ............................................................................. 32
3.1.8 Saving patterns ......................................................................................................... 33
3.1.9 What data are saved inside a pattern? ................................................................... 34
3.1.10 Turning off the “Default”-sound .......................................................................... 34
3.1.11. Deactivating the “Pattern changed, Save First”-messages ................................ 35
3.2 Editing DSP-synthesizer sounds ....................................................................................................... 37
3.2.1 Introduction............................................................................................................... 37
3.2.2 Selecting a sample or multisample for the sound .................................................. 37
3.2.3 Tuning the sample set ............................................................................................... 38
3.2.4 Further Sample-Oscillator parameters .................................................................. 38
3.2.5 Reverse sample playback ......................................................................................... 39
3.2.6 Changing the volume envelopes .............................................................................. 40
3.2.7 Velocity Sensitivity and adjusting the VCA-level .................................................. 41
3.2.8 Using the digital multimode filter .......................................................................... 41
3.2.9 Playing filtered sounds ............................................................................................. 41
3.2.10 Envelope control of the filter frequency ............................................................... 42
3.2.11 Filter frequency keyboard scaling ......................................................................... 42
3.2.12 The DSP synth LFO section ................................................................................... 43
3.2.13 Assigning LFO and MIDI modulation to the cutoff frequency ......................... 44
3.2.14 Assigning LFO and MIDI modulation to the resonance, volume, panpot position
and sample-oscillator pitch ..................................................................................... 44
3.3 Playing the "Analog"-synthesizer .................................................................................................... 45
3.3.1 Differences to other synthesizers ............................................................................. 46
3.3.2 Let's go - Getting familiar with the analog filters. ................................................ 47
3.3.3 Short excursion: oscillators and envelopes ............................................................ 49
3.3.4 Back to analog-technology – the multimode filter and filter-routing. ................. 51
3.3.5 The LFO section of the analog-synth ...................................................................... 55
3.3.6 Oscillators – the improved LFO’s! .......................................................................... 63
3.3.7 The fixed filterbank .................................................................................................. 64
3.3.8 The envelopes of the Spectralis analog-synth ........................................................ 67
3.3.9 Note priority and multitrigger settings ................................................................... 67
3.4 Step-sequencer basics
3.4.1 Filterbank rhythms .................................................................................................... 70
3.4.2 Tonal sequences .......................................................................................................... 72
3.5 Step-sequencer advanced I
3.5.1 Tonal Sequences ......................................................................................................... 75
3.5.2 Option 1: Adjusting preset values and entering steps ............................................... 76
3.5.3 Option 2: Setting pitch, length, probability and dynamic value separately ............... 76
3.5.4 Option 3: Input and editing of notes in the single-step editor .................................... 77
3.5.5 MIDI learn function for pitch ..................................................................................... 78
3.5.6 Line rotation ............................................................................................................... 78
3.6 Target selection .................................................................................................................................... 79
3.6.1 Special features for MIDI targets .............................................................................. 80
3.7 Creating triggergroups - multiple analog synth parts ........................................................................80
3.7.1 Playing the triggergroups.......................................................................................... 81
3.7.2 The definition of triggergroups ................................................................................. 82
3.8 Step-sequencer advanced II
3.8.1 Parameter lines .......................................................................................................... 84
3.8.2 Triggerpoint muting and overwriting ........................................................................ 86
3.8.3 Single step editor ....................................................................................................... 86