SCALA
Brilliant
Padicular Cases
for the Positioning
Leave at least 50 cm
(20
inches) of space between
the REVOX
scala Brilliant floorstanding speakers and any
nearby wall. These
speakers are designed
Jor vertcal operaton. A " in ng up'
of
the speakers
to the hearing seat can have an advantageous
acoustic
effect as thereby reflections at the
adjoining room
walls are reduced.
Particular
cases Ior Connecting
The rear
panel
of the
loudspeakers features three
palrs of
gold'
p
ated bind
ng-post termlna s
(at
the botton])
for tr
-wir
ng or
tri amping.
The bottom
pa r is for bass
(Woofer),
the
pair
in the midd e for bass
midband
(Woofer/Mid),
and
the top
pair
of terminals
for trebie
(Tweeter).
At delivery,
all palrs are
connected
via w de
gold-plated
bridges
for ihe use of two
pole
loudspeaker cab es.
Connect the
loudspeaker outputs A or B on
ihe back of
your
amplifier
to the corresponding
teTrn nal
screws
on the speakers
using loudspeaker cabes
with bared ends. Watch the
polarty:
connect
the positive pole of
your
amplifier
to the posiuve
po
e
of
your
loudspeaker.
Bi- or Tri-Wiring
As
you have the posslbilty to use a separate cable
Jor each of
the three transmisslon
paihs,
you
may choose the optim!m cab
e
for each frequency
range and thus avoid the
prob
em
of losing
or corrupting signals.
lf
you
wantto
give
each transrnission
path
its indiv dua
cable,you
need to rernove the bridge
beiween the b nding posts.
Furthermore, lt is
possible
a) to have
bi'wiring with bridged bass and bass-mldband,
and
separate treb e
path
(recommended) (see
fi8. B)
or
b) tohavebl
wirlngwiih brdged bass-rnidband andtrebe, and
separaie
bass path
(see
fig. C)
c) to have tri-wiring remove all brldges; separate bass-,
bass-
mldband and
treble
path
(see
fig. D)
Please ensure that the cable
runnifg
to the treble dr
ver is of low
nductivity in order not to damp the highest frequenc es.
Use a cable with adequate cross secton
(see
table) for the
bass
andlor bass
nrid range dr veß.
Watch the polarity of the cables used.
Reversed
po
arity leads to
poor
tona balance or even to
lack oJ
bass and
unc arity
of
the stereo imagery.
Ensure that the screws are rea
y
tight in order to avoid disturbing
Figure A
Figure B
(Bi-Wiring,
Version A)
Figure D
(Tri-Wiring)
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