Roland JUNO-60 - Arpeggio Samples; Sample Scores

Arpeggio
Samples
When using Arpeggio
as
an accompaniment,
adopt
a
pattern that is completed within
one
measure.
Select the appropriate range and
-mode according
to
the number
of
notes included
in the chord,
and
beats in the bar.
* The
SAMPLE SCORES show
the examples
of
when
you
press each
note of the chord
simul-
taneously. If there
is a
time
gap
in
pressing
each
note, the scores wilt
not be
the same.
SThree note
Arpeggio
(1
oct.
UP/DOWN)
»oct
up
too
w
IThree note
Arpeggio
(2
oct. UP)
3 OCT
DOWN
«P
[IThree note
Arpeggio {3 oct. UP/DOWN)
i
OCI
l»
a
OCt
oown
SFour
note
Arpeggio
(1
oct.
UP/DOWN)
tOCT if
J
OCT DOW
f£WB
HFour note Arpeggio
(2
oct.
UP)
3
OCt
DOWN
IFive note
Arpeggio
(1
oct.
UP/DOWN)
i
OCT
UP
f'j^
^ll
23
Arpeggio with a
Bass
note
(1
)
•
Press one Bess
note with
the
left
hand
and
three
notes
of
the
chord
with the right hend.
J
OCT
ooww
]
Arpeggio with a
Bass
note
(2)
• Press one
Bass
note with
the
left hand
and
three
notes
of
the chord
with the right hand.
1
OCT l»
0-0
a
oct
down
^6W
Special use of
Arpeggio Mode (Bass
Pattern)
1
OCT UP
&-0
3
OCT oOwn
^DOWX
-»
^
JJJcJ
Special use
of Arpeggio Mode
(Tremoio
1,11)
Tremolo I
• Play
a single note and
adjust
the
speed of tremolo with
the
RATE control.
Lower
the Sustain Level
and shorten the
Decay
Time.
Organ like
sound
is obtained by adjusting ENV.
t
oct UP
[]—
Q-fc-
jc
"
I
3
OCI oown
Tremolo
It
•
Tremolo with
xylophone like
octave sound.
30CT
OOWN