Roland M-GS64

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@ Cho Depth (Chorus Depth) : 0 - 127
This sets the depth of modulation for the chorus. Higher values
will result in deeper modulation.
@ Diy Type (Delay Type)
You can select from 10 types of delay.
Delay 1(g 1), Delay 2(d 2), Delay 3(4 3)
These are conventional delays. 1, 2, and 3 have increasingly
longer delay times.
Delay 4(d 4)
This is a delay with a fairly short delay time.
Pan Delay 1 (Fd /), Pan Delay 2 (Pd2},
Pan Delay 3 (Fd3)
This is an effect in which the delay sound alternates between left
and right, and is effective when stereo connections are used. 1, 2,
and 3 have increasingly longer delay times.
Pan Delay 4 (Pd4)
This is an effect with a fairly short delay time, in which the delay
sound alternates between left and right, and is effective when
stereo connections are used.
Dly ToRev (ci)
With this effect, a reverberated delay alternates between left and
right, It is effective when stereo connections are used.
PanRepeat (P-P }
In this effect the delayed portions alternate between left and
right, but are positioned in a way that is different than the above
effects. It is effective when stereo connections are used.
When you change the Delay Type, the values of the following
parameters will change automatically. This is so the parameter
values will be most suitable for the selected effect type. You are
free to select parameters and modify their values to adjust the
effect to your taste.
@ Dly Level C (Delay Level Center) : 0 - 127
This sets the volume of the delay sound located in the center.
Higher values will result in a louder delay sound in the center.
@ Dly Level L (Delay Level Left) : 0 - 127
This sets the volume of the delay sound located at the left.
Higher values will result in a louder delay sound at the left.
@ Dly Level R (Delay Level Right) : 0 - 127
This sets the volume of the delay sound located at the right.
Higher values will result in a louder delay sound at the right.
* Delay cannot be used when Double Module Mode (p. 8) is
selected.
16
© EQ Low Freq (Equalizer Low Frequency)
: 200, 400 Hz
@ EQ High Freq (Equalizer High Frequency)
33, 6 kHz
These parameters set the cutoff frequencies at which the equaliz-
er will boost or cut signals. You can set the cutoff frequency for
the high range (High) and for the low range (Low).
@ EQ Low Gain (Equalizer Low Gain)
¢-12-0-412 dB
@ EQ High Gain (Equalizer High Gain)
2-12-0-412 dB
These parameters set the amount of boost or attenuation (alter
the gain) for the high range and low range. Positive (+) settings
boost the frequency range, and negative (-) settings attenuate it.
* If the gain is set to 0, the equalizer will have no effect.
* The equalizer cannot be used when Double Module Mode (p.
8) is selected.
I Matrix 4 (Utility)
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While holding the Select button, press the F4 button,
The F4 indicator will blink.
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Mute Lock * ote {EO Lock /Out Asgn Lock |
Rx GS Reset * lex GMOn* — Mode Set
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Fi F2 F F4.
Select
* The asterisk (*) indicates parameters which can be set indepen-
dently for Part Groups A and B when Mode 2 is used. Hold
down the Part button, and press <J_ or [> to move between
Aand B.
B Settings Affecting the Entire M-GS64 ........ceesecee
Here are the parameters which affect the entire M-GS64. These
parameters are known as System parameters.
@ In Mode (Input Mode)
: Standard, Merge —- A, Merge + B
This setting determines how data received at MIDI IN A and B
will be passed to groups A and B.
At the factory settings, MIDI messages received at MIDI IN A
will be passed to the Parts of Group A, and MIDI messages
received at MIDI IN B will be passed to the Parts of Group B. For
general use, there is no need to change this setting (Standard),
but you also have the options described below.