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Explains the purpose, applications, and value of the Filterbank.
Guides the user on how to approach the lessons in the manual for effective learning.
Explains the function and relation of each knob color displayed on the Filterbank.
Illustrates various methods for mounting the Sherman Filterbank unit for different setups.
Explains the parallel routing configuration where filters operate independently.
Details the serial routing configuration where filters are chained sequentially.
Explains the functionality of MIDI retriggering for the LFO modulation.
Provides a tip for achieving Roland TB303 sequencer behavior using MIDI and ADSR input.
Details how to configure the ADSR generator to function as a secondary LFO.
Suggests an exercise using a repetitive sequencer pattern for ADSR modulation.
Explains ADSR attack time based on knob position and MIDI controller values.
Details envelope follower input, functional notes, and MIDI control limitations.
Details accepted DC voltage inputs for the FM frequency modulation function.
Explains how to utilize the FM amount knob as an ADSR amount control.
Describes the procedure for generating subharmonic frequency modulation.
Explains AM modulation's impact on VCAs and how input signals influence its effect.
Notes the AM signal source and critical settings for effective modulation.
Covers trigger input, FM/AM inputs, connection advice, and signal strength requirements.
Details MIDI input messages and their corresponding filter bank functions and power-up values.
Provides notes on using MIDI for triggering and lists specific MIDI note commands.
Advises against using excessively long jack-jack cables for linking filterbanks.
General| Frequency Range | 20Hz - 20kHz |
|---|---|
| Envelope Follower | Yes |
| LFO | Yes |
| Controls | Frequency, Resonance, Envelope Amount, LFO Rate |
| Distortion | Built-in distortion circuit |
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