a
·
.-
.-
.
.....
.
.....
.
....
.
.
.....
.
.....
.
...................
.
.....
. -.
-.-
Fig. 35
.-
Fig.
36
Fig.
37
Fig
.
38
10
-.-
.
.....
.
.....
.
-.-
Transport
The
SINAR p2, c2 and
f2
Before stowing the camera
in
the SINAR case push the
two
standards to-
gether clear of both the red dots on the key rail of the 422.21 base rail.
In
this
position the camera with various accessories fits comfortably
in
the 475.26
case (expert or basic 4x5"/9x12 cm outfits) or
in
the 475.42 SINAR
EXPERT
case (expert outfits or basic 5x7"/13x18 cm or 8x1 0"/18x24 cm outfits).
To
protect the camera against dust and damp when set up we recommend the
571.42
d~st
cover (basic outfits) or the 571.52 cover (expert outfits).
The SINAR
11
and
12
You
can also fold the SINAR
f1
and f2
as
shown
in
Fig. 34. Preferably leave
the rail clamp on the tripod. The camera then fits
in
an
executive-style brief-
case.
The view camera movements
Direct shifts (see
Fig
.
35)
Suitable for short extensions (use the wide-angle bellows if necessary).
• Set up the camera level
• Adjust the shifts
to
centre the image
Note: Verticals appear vertical if the rear or image standard is parallel with the
verticals
of
the object. The lens standard position affects only sharp-
ness distribution, not perspective.
Indirect shifts (see Fig.
36)
Suitable for long extensions, with the professional bellows hood and for
more extended shifts.
• Incline the camera
• Realign the standards vertically by the coarse tilt (arrows)
Usually the indirect shift method is preferable as it allows considerable incli-
nation of the camera even with long extensions, reserves the micrometer
shifts for fine adjustment and makes for a more rigid setup
of
the standards.
Also, a bellows hood mounted
on
the basic rail
un
it, filters etc remain lined up
with the optical axis.
Rotating the camera
Rotating the camera about the basic rail unit provides any intermediate posi-
tion between upright and horizontal shots. Unlike a rotating back this keeps
all tilt and swing axes lined up with the image axes. The bellows hood also ro-
tates with the camera, which avoids corner vignetting.
(To
switch between
vertical and horizontal shots turn the back round through 90
°.
)
Extreme tilts
at
short extensions
Special effects sometimes call for extreme tilts with short-focus lenses -
best
achievec.!
by
a vertical-axis swing of the standards. Depending
on
the
subject position you may have
to
rotate the camera through 90°
in
the rail
clamp.
To Next Page
Loading...
